About: Harrison Ellenshaw   Sponge Permalink

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Harrison Ellenshaw (born July 20, 1945 in Harrisburg, Pennsylvania, USA) was the visual effects supervisor and associate producer for TRON. He is a well-known matte painter and is the son of Disney special effects creator Peter Ellenshaw. He started his career at Walt Disney Studios as a matte painter and worked on several films for Disney, as well as Industrial Light and Magic, where he created many of the matte backgrounds for Star Wars and The Empire Strikes Back. He and his father worked on the mattes for The Black Hole and were nominated for an Academy Award for their work.

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  • Harrison Ellenshaw
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  • Harrison Ellenshaw (born July 20, 1945 in Harrisburg, Pennsylvania, USA) was the visual effects supervisor and associate producer for TRON. He is a well-known matte painter and is the son of Disney special effects creator Peter Ellenshaw. He started his career at Walt Disney Studios as a matte painter and worked on several films for Disney, as well as Industrial Light and Magic, where he created many of the matte backgrounds for Star Wars and The Empire Strikes Back. He and his father worked on the mattes for The Black Hole and were nominated for an Academy Award for their work.
  • The son of prominent matte artist Peter Ellenshaw (Spartacus, Treasure Island), and brother of also visual effects artist Lynda Ellenshaw Thompson (Ghost Busters, Flubber), Peter S. Ellenshaw followed his father's footsteps and began working with matte in the 1970s with films as The Castaway Cowboy (1974, Vincent McEveety), The Shaggy D.A. (1976, Robert Stevenson) and Pete's Dragon (1977, Don Chaffey), for the Walt Disney Studios. Later, Ellenshaw joined George Lucas's effect studio, Industrial Light and Magic, where he started with the matte effects of the first Star Wars movie. He nevertheless returned to Disney productions alternatively.
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abstract
  • Harrison Ellenshaw (born July 20, 1945 in Harrisburg, Pennsylvania, USA) was the visual effects supervisor and associate producer for TRON. He is a well-known matte painter and is the son of Disney special effects creator Peter Ellenshaw. He started his career at Walt Disney Studios as a matte painter and worked on several films for Disney, as well as Industrial Light and Magic, where he created many of the matte backgrounds for Star Wars and The Empire Strikes Back. He and his father worked on the mattes for The Black Hole and were nominated for an Academy Award for their work.
  • The son of prominent matte artist Peter Ellenshaw (Spartacus, Treasure Island), and brother of also visual effects artist Lynda Ellenshaw Thompson (Ghost Busters, Flubber), Peter S. Ellenshaw followed his father's footsteps and began working with matte in the 1970s with films as The Castaway Cowboy (1974, Vincent McEveety), The Shaggy D.A. (1976, Robert Stevenson) and Pete's Dragon (1977, Don Chaffey), for the Walt Disney Studios. Later, Ellenshaw joined George Lucas's effect studio, Industrial Light and Magic, where he started with the matte effects of the first Star Wars movie. He nevertheless returned to Disney productions alternatively. In 1979, while working for Disneys' The Black Hole (1979, Gary Nelson) along with his father, Ellenshaw noticed that he was being recognized for his work and, to avoid confusion with his also famous father, he changed his stage name to "Harrison Ellenshaw", after his native Harrisburg. As such, it was Harrison Ellenshaw who was nominated for the 1980 Visual Effect Academy Award, although the Ellenshaws lost to H.R. Giger's Alien (1979, Ridley Scott). Ellenshaw's work in the first movie was first recognized in Star Wars Official Poster Monthly #13, with the article P.S. Ellenshaw and the Magic of Matte, by Dr. M.F. Marten, published in October 1978. Harrison Ellenshaw continued his work in the 1980s with successes such as The Empire Strikes Back (1980, Irvin Kershner), TRON (1982, Steven Lisberger, awarded with a BAFTA) and Superman IV (1987, Sidney J. Furie, nominated to a Razzie). In the 1990s, Ellenshaw returned to Disney to work in Dick Tracy (1990, Warren Beatty). He also worked Ghost (1990, Jerry Zucker), Dave (1993, Ivan Reitman) and successful TV series Xena. Ellenshaw eventually became the head of Disney's effects studio, Buena Vista Visual Effect, and worked as its executive producer in Escape from L.A. (1996, John Carpenter) Ellenshaw's work was again recognized in a Star Wars publication with Bantam Spectra's The Illustrated Star Wars Universe (1995), with text by Kevin J. Anderson and illustrations of different authors from the original trilogy (including Ralph McQuarrie and Nilo Rodis-Jamero). Harrison's son Michael has worked as director, writer, editor and actor in straight-to-video short Answer (2002).
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