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An Entity of Type : dbkwik:resource/guLb-C3GBYhxlXg48m411Q==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The Ink Spots were a popular vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the same period, gained much acceptance in the white community.

AttributesValues
rdf:type
rdfs:label
  • The Ink Spots
  • The Ink Spots
  • The Ink Spots
rdfs:comment
  • The Ink Spots were a popular vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the same period, gained much acceptance in the white community.
  • The Ink Spots - popularny w Stanach Zjednoczonych w latach 30. XX wieku zespół muzyczny składający się z czarnoskórych muzyków. Grupa pomogła zdefiniować charakterystyczny gatunek muzyczny, z którego wyewoluowały takie style jak rhythm and blues (zwłaszcza doo wop) oraz rock and roll. Zespół The Ink Spots został założony w Indianapolis, w roku 1931, a działalność zakończył w 1964. Ich twórczość wraz z dorobkiem innego popularnego w latach 40. zespołu, The Mills Brothers, zdobyła dużą akceptację wśród białych Amerykanów. Oryginalni członkowie:
  • The Ink Spots were a vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They gained much acceptance in both the white community and black community largely due to the ballad style introduced to the group by lead singer Bill Kenny. They were inducted into the Rock & Roll hall of fame in 1999. Since The Ink Spots disbanded in 1954, there have been well over 100 vocal groups calling themselves "The Ink Spots" without any rights to the name or any original members in the group. These groups often have claimed to be "2nd generation" or "3rd generation" Ink Spots. Many such groups are still touring today.
  • The Ink Spots were a vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the same period, gained much acceptance in both the white and black communities. This was followed by Kenny, who finished up singing the last refrain or the last half of the song. On some songs Deek Watson would sing the lead rather than Bill Kenny. This was mostly on the uptempo "Jive" songs.
  • The Ink Spots were an American vocal group popular in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They gained much acceptance in both the white community and black community largely due to the ballad style introduced to the group by lead singer Bill Kenny. They were inducted into the Rock & Roll hall of fame in 1999. Since The Ink Spots disbanded in 1954, there have been well over 100 vocal groups calling themselves "The Ink Spots" without any rights to the name or any original members in the group. These groups often have claimed to be "2nd generation" or "3rd generation" Ink Spots. Many such groups are still touring today.
sameAs
dcterms:subject
foaf:homepage
Juegos
  • FO, FO3, FNV, FO4
dbkwik:es.fallout/...iPageUsesTemplate
dbkwik:fallout/pro...iPageUsesTemplate
dbkwik:mafiagame/p...iPageUsesTemplate
IMDB
Wikipedia
Nombre
  • The Ink Spots
Games
Other
Name
  • The Ink Spots
Type
  • Musicians
  • musician
Song
Homepage
Tipo
  • músico
imagen
  • The Ink Spots.jpg
Artists
  • Bill Kenny
  • Charlie Fuqua
  • Deek Watson,
  • Hoppy Jones
abstract
  • The Ink Spots were a vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the same period, gained much acceptance in both the white and black communities. Their songs usually began with a guitar riff, followed by the tenor Bill Kenny, who sang the whole song through. After Kenny finished singing, the bass would either recite the first half, or the bridge of the song, or would speak the words, almost in a free form, that were not part of the song, commonly using the words "Honey Child", or "Honey Babe", expressing his love for his darling in the song. This was followed by Kenny, who finished up singing the last refrain or the last half of the song. On some songs Deek Watson would sing the lead rather than Bill Kenny. This was mostly on the uptempo "Jive" songs.
  • The Ink Spots - popularny w Stanach Zjednoczonych w latach 30. XX wieku zespół muzyczny składający się z czarnoskórych muzyków. Grupa pomogła zdefiniować charakterystyczny gatunek muzyczny, z którego wyewoluowały takie style jak rhythm and blues (zwłaszcza doo wop) oraz rock and roll. Zespół The Ink Spots został założony w Indianapolis, w roku 1931, a działalność zakończył w 1964. Ich twórczość wraz z dorobkiem innego popularnego w latach 40. zespołu, The Mills Brothers, zdobyła dużą akceptację wśród białych Amerykanów. Oryginalni członkowie: * Orville "Hoppy" Jones (bass) * Ivory "Deek" Watson (tenor) * Jerry Daniels (tenor) * Charlie Fuqua (baryton) Grupa w roku 1997 zdobyła sporą popularność wśród graczy komputerowych dzięki wykorzystaniu utworów w sekwencjach wprowadzających do gier z serii Fallout: "Maybe" w pierwszej części gry i "I Don't Want to Set the World on Fire" w Fallout 3.
  • The Ink Spots were a popular vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the same period, gained much acceptance in the white community. Their songs usually began with a guitar riff, followed by the tenor, who sang the whole song through. After the tenor finished singing, the bass would either recite the first half, or the bridge of the song, or would speak the words, almost in a free form, that were not part of the song, commonly using the words "Honey Child", or "Honey Babe", expressing his love for his darling in the song. This was followed by the tenor, who finished up singing the last refrain or the last half of the song.
  • The Ink Spots were a vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They gained much acceptance in both the white community and black community largely due to the ballad style introduced to the group by lead singer Bill Kenny. They were inducted into the Rock & Roll hall of fame in 1999. Since The Ink Spots disbanded in 1954, there have been well over 100 vocal groups calling themselves "The Ink Spots" without any rights to the name or any original members in the group. These groups often have claimed to be "2nd generation" or "3rd generation" Ink Spots. Many such groups are still touring today. The Ink Spots songs usually began with a guitar riff, followed by the tenor Bill Kenny, who sang the whole song through. After Kenny finished singing, the bass would either recite the first half, or the bridge of the song, or would speak the words, almost in a free form, that were not part of the song, commonly using the words "Honey Child", or "Honey Babe", expressing his love for his darling in the song. This was followed by Kenny, who finished up singing the last refrain or the last half of the song. On some songs Deek Watson would sing the lead rather than Bill Kenny. This was mostly on the uptempo "Jive" songs.
  • The Ink Spots were an American vocal group popular in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They gained much acceptance in both the white community and black community largely due to the ballad style introduced to the group by lead singer Bill Kenny. They were inducted into the Rock & Roll hall of fame in 1999. Since The Ink Spots disbanded in 1954, there have been well over 100 vocal groups calling themselves "The Ink Spots" without any rights to the name or any original members in the group. These groups often have claimed to be "2nd generation" or "3rd generation" Ink Spots. Many such groups are still touring today. The Ink Spots songs often began with a four bar guitar riff, using the chords I - #idim - ii7 - V7, followed by the tenor Bill Kenny, who sang the whole song through. After Kenny finished singing, the bass would either recite the first half, or the bridge of the song, or would speak the words, almost in a free form, that were not part of the song, commonly using the words "Honey Child", or "Honey Babe", expressing his love for his darling in the song. This was followed by Kenny, who finished up singing the last refrain or the last half of the song. On some songs Deek Watson would sing the lead rather than Bill Kenny. This was mostly on the uptempo "Jive" songs.
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