Open Journal Systems. 2012. Open Journal Systems. Public Knowledge Project.
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| - Raga
- Raga
- Raga
- Raga
- Raga
- Raga
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| rdfs:comment
| - Open Journal Systems. 2012. Open Journal Systems. Public Knowledge Project.
- Appiccagnolo probabilmente trasversale mancante, spezzato sopra la base. Foro artefatto ad ore 12.
- After coming upon Abu and SG-1, he escorted them to the village. (SG1: "Emancipation") File:Jack O'Neill.JPG This character article is a stub. You can help Stargate Command by expanding it.
- Raga är en manlig Shavadai från Simarka. Under 1997 efter att SG-1 anlänt till Simarka och räddad Abu så kom Raga ridande med några andra Shavadai krigare. Han såg Samantha Carter. Och han ledde dem sedan till byn. (SG1: "Emancipation") Kategori:En-gång SG-1 karaktär Kategori:Shavadai
- Raga (bs. Raha) - stolica i największe miasto Brech. Raga jest także stolicą komitatu centralnobreskiego. Jest siedzibą władz Republiki Breskiej oraz większości głównych państwowych instytucji.
- Raga invariable Catégorie:Prononciation manquante 1.
* nom de famille
- Raga was a servant to Mithredath and accompanied him on his mission to Yauna. He led a donkey, which carried their supplies and camping equipment, to the Akropolis and then to the marketplace of ruined Athens. He also found several inscriptions on the walls but these proved to be unhelpful graffiti.
- Raga (singular rag or raga, plural raga or ragas) is a complex structure of musical melody used in India and should not be confused with scales. A raga is basically a set of rules of how to build a melody. It specifies a scale, as well as rules for movements up and down the scale, which notes should figure more and which notes should be used more sparingly, which notes take which ornamentation, which notes must be bent, which notes may be bent, phrases to be used, phrases to be avoided, and so on. The result is a framework that can be used to compose or improvise melodies in, so that melodies in a certain raga will always be recognisable yet allowing endless variation.
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| abstract
| - Open Journal Systems. 2012. Open Journal Systems. Public Knowledge Project.
- Appiccagnolo probabilmente trasversale mancante, spezzato sopra la base. Foro artefatto ad ore 12.
- Raga was a servant to Mithredath and accompanied him on his mission to Yauna. He led a donkey, which carried their supplies and camping equipment, to the Akropolis and then to the marketplace of ruined Athens. He also found several inscriptions on the walls but these proved to be unhelpful graffiti. Two days later, the party moved to the Athenian marketplace. In the ruins of the Royal Portico, Raga found a large flat stone. It had an inscription of the process of exiling Athenians and a list of those who were expelled including that of Themistokles. This convinced Mithredath that there was no king in Athens during the conquest and that the Athenians ruled themselves by counting potsherds.
- After coming upon Abu and SG-1, he escorted them to the village. (SG1: "Emancipation") File:Jack O'Neill.JPG This character article is a stub. You can help Stargate Command by expanding it.
- Raga är en manlig Shavadai från Simarka. Under 1997 efter att SG-1 anlänt till Simarka och räddad Abu så kom Raga ridande med några andra Shavadai krigare. Han såg Samantha Carter. Och han ledde dem sedan till byn. (SG1: "Emancipation") Kategori:En-gång SG-1 karaktär Kategori:Shavadai
- Raga (bs. Raha) - stolica i największe miasto Brech. Raga jest także stolicą komitatu centralnobreskiego. Jest siedzibą władz Republiki Breskiej oraz większości głównych państwowych instytucji.
- Raga invariable Catégorie:Prononciation manquante 1.
* nom de famille
- Raga (singular rag or raga, plural raga or ragas) is a complex structure of musical melody used in India and should not be confused with scales. A raga is basically a set of rules of how to build a melody. It specifies a scale, as well as rules for movements up and down the scale, which notes should figure more and which notes should be used more sparingly, which notes take which ornamentation, which notes must be bent, which notes may be bent, phrases to be used, phrases to be avoided, and so on. The result is a framework that can be used to compose or improvise melodies in, so that melodies in a certain raga will always be recognisable yet allowing endless variation. The underlying scale is a five, six or seven tone-scale. In the seven tone-scale the second, third, fourth, sixth, and seventh notes can be sharp or flat, making up the twelve notes in the Western scale. However, ragas can specify microtonal changes to this scale: a flatter second, a sharper seventh, and so forth. Furthermore, such variations can occur between styles, performers or simply follow the mood of the performer. There is no absolute pitch; instead, each performance simply picks a ground note, and the other scale degrees follow relative to the ground note. Every time of the day, morning, afternoon, evening and night, has its specific ragas. Also See Kirtan, Sikh Kirtan, Taal, Ragmala
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