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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

A manifestation of Haruhi Suzumiya's antimatter-dispersing oscillations perceived as sound waves (called sound worm by Kyon) was created by Haruhi Suzumiya's powers and located in phase transposition space much like the cave cricket data organism. The space appeared as a concert hall, rather than the physical location where the space was entered. The sound worm appeared in the audio drama Sound Around.

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  • Sound worm
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  • A manifestation of Haruhi Suzumiya's antimatter-dispersing oscillations perceived as sound waves (called sound worm by Kyon) was created by Haruhi Suzumiya's powers and located in phase transposition space much like the cave cricket data organism. The space appeared as a concert hall, rather than the physical location where the space was entered. The sound worm appeared in the audio drama Sound Around.
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dbkwik:haruhi/prop...iPageUsesTemplate
abstract
  • A manifestation of Haruhi Suzumiya's antimatter-dispersing oscillations perceived as sound waves (called sound worm by Kyon) was created by Haruhi Suzumiya's powers and located in phase transposition space much like the cave cricket data organism. The space appeared as a concert hall, rather than the physical location where the space was entered. The creature forced anyone who listened to First Good-Bye to painfully hear it in their head, even Yuki Nagato (though the effect on her was less due to a "difference in physical constitution"). Its body, over 200 meters long, was composed of a musical score: five lines with scattered notes. The lead treble clef acted like fangs. The creature could attack with swarms of "notes" and could alter voices. It could not be damaged by physical attacks, only by the manipulation of sound waves. The sound worm appeared in the audio drama Sound Around.
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