About: The Boy Must Live/transcript   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

PETER: Walter? WALTER: Sorry, I didn't mean to startle you. PETER: What are you doing up? WALTER: I could ask you the same thing. You need your rest, Son. PETER: There's work to be done. I’m freeing our next tape. What's your excuse? WALTER: I believe I have an idea about how we can find our friend, September. The memory the boy showed me is in my subconscious, So it involves the Tank. OLIVIA: Okay, Walter, how are - - ? Walter, why did you remove your trunks? WALTER: They were too restrictive. My body needs to be as free and open as my mind, so I can find September. WALTER: I am. Let's get started.

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  • The Boy Must Live/transcript
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  • PETER: Walter? WALTER: Sorry, I didn't mean to startle you. PETER: What are you doing up? WALTER: I could ask you the same thing. You need your rest, Son. PETER: There's work to be done. I’m freeing our next tape. What's your excuse? WALTER: I believe I have an idea about how we can find our friend, September. The memory the boy showed me is in my subconscious, So it involves the Tank. OLIVIA: Okay, Walter, how are - - ? Walter, why did you remove your trunks? WALTER: They were too restrictive. My body needs to be as free and open as my mind, so I can find September. WALTER: I am. Let's get started.
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abstract
  • PETER: Walter? WALTER: Sorry, I didn't mean to startle you. PETER: What are you doing up? WALTER: I could ask you the same thing. You need your rest, Son. PETER: There's work to be done. I’m freeing our next tape. What's your excuse? WALTER: I believe I have an idea about how we can find our friend, September. The memory the boy showed me is in my subconscious, So it involves the Tank. OLIVIA: Okay, Walter, how are - - ? Walter, why did you remove your trunks? WALTER: They were too restrictive. My body needs to be as free and open as my mind, so I can find September. OLIVIA: Are you feeling sufficiently free and open now? WALTER: I am. Let's get started. OLIVIA: Okay, his vitals are steady. His heart rate's a little low. I think that's just the sedative kicking in. ASTRID: Oscillation's coming through clear. Everything seems to be functioning. PETER: Walter, you're good to go. You should be feeling pretty relaxed by now. OLIVIA: His blood pressure's rising. PETER: How much? OLIVIA: It's 140 over 90. No, 152 over 100. It's still rising. ASTRID: His brain waves are fluctuating. PETER: Walter, your vitals are spiking. Are you okay? WALTER: Incredible. I’m here. PETER: Walter, where are you? WALTER: An apartment... the same one from the flashes the boy showed me. PETER: Take a look around. You recognize anything about the space? Anything that could help us tell where it is? WALTER: I'm with September, and he doesn't look at all like himself. He has hair. PETER: Are there any windows? WALTER: Yes. PETER: Well, go take a look outside. WALTER: I see water... buildings in the distance... skyscrapers. PETER: Uh, New York? WALTER: Could be. Yes. I see the top of the Empire State Building. ASTRID: The Empire State Building's the East Side of Manhattan. WALTER: To my right... I can't quite make - - a bridge. I'm under a bridge. ASTRID: I think it's the Williamsburg Bridge. Based on the angle of the view that Walter described, I would say that the building is in Brooklyn, somewhere near the Southeast base of where the bridge used to be. PETER: So if September's still alive, and he's still living in the same place, that's where we find him. WALTER: He's still alive. OLIVIA: How do you know? WALTER: I'm optimistic. PETER: You are? WALTER: Why not? As to whether September is still living in the same place, we shall see. We must hurry.
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