About: Prostitution, Promiscuity and a Bunch of Other Things   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The album cover for Prostitution, Promiscuity and a Bunch of Other Things is a photograph of a scruffy Tarvis of Kill Harbert clutching a unit of currency in his bony fingers. The photograph was shot by 14-Year-Old Girl under the backdrop of an eerily foreboding department store. The uniform racks rise above Tarvis's scrawny figure and suffocate the viewer, dominating the picture plane, and probably connoting some higher artistic significance relating to the band group's existential themes. But probably not. The porcelain-skinned arm of Deezy Beezy pokes out from the bottom right corner of the image, gripping a knife casually. This may reference the title of the album, a sly nod to the crime of prostitution but, then again, no one knows.

AttributesValues
rdfs:label
  • Prostitution, Promiscuity and a Bunch of Other Things
rdfs:comment
  • The album cover for Prostitution, Promiscuity and a Bunch of Other Things is a photograph of a scruffy Tarvis of Kill Harbert clutching a unit of currency in his bony fingers. The photograph was shot by 14-Year-Old Girl under the backdrop of an eerily foreboding department store. The uniform racks rise above Tarvis's scrawny figure and suffocate the viewer, dominating the picture plane, and probably connoting some higher artistic significance relating to the band group's existential themes. But probably not. The porcelain-skinned arm of Deezy Beezy pokes out from the bottom right corner of the image, gripping a knife casually. This may reference the title of the album, a sly nod to the crime of prostitution but, then again, no one knows.
dcterms:subject
abstract
  • The album cover for Prostitution, Promiscuity and a Bunch of Other Things is a photograph of a scruffy Tarvis of Kill Harbert clutching a unit of currency in his bony fingers. The photograph was shot by 14-Year-Old Girl under the backdrop of an eerily foreboding department store. The uniform racks rise above Tarvis's scrawny figure and suffocate the viewer, dominating the picture plane, and probably connoting some higher artistic significance relating to the band group's existential themes. But probably not. The porcelain-skinned arm of Deezy Beezy pokes out from the bottom right corner of the image, gripping a knife casually. This may reference the title of the album, a sly nod to the crime of prostitution but, then again, no one knows.
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