About: Chrétien de Troyes   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

On no conose multe de se vive. On crede ce el ia nase en Troyes e ce ia studia linguas clasica. Se isnpiras es la tradision celta e la lejendas bresonica (matière de Bretagne en franses, "materia de Bres" en Lingua Franca Nova).

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  • Chrétien de Troyes
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  • On no conose multe de se vive. On crede ce el ia nase en Troyes e ce ia studia linguas clasica. Se isnpiras es la tradision celta e la lejendas bresonica (matière de Bretagne en franses, "materia de Bres" en Lingua Franca Nova).
  • Chrétien de Troyes was a French poet in the late 12th century, most well known for his Arthurian romances. He introduced the affair between Queen Guinevere and Lancelot, the quest for the Holy Grail, and the Fisher King into the Arthur mythos, and greatly influenced later writers. His epic poems about Knights of the Table Round were seminal works of the Chivalric Romance genre, and emulated countless times by later poets. His final work, Perceval, the Story of the Grail, was never finished due to Author Existence Failure, although several other poets attempted to finish it.
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abstract
  • On no conose multe de se vive. On crede ce el ia nase en Troyes e ce ia studia linguas clasica. Se isnpiras es la tradision celta e la lejendas bresonica (matière de Bretagne en franses, "materia de Bres" en Lingua Franca Nova).
  • Chrétien de Troyes was a French poet in the late 12th century, most well known for his Arthurian romances. He introduced the affair between Queen Guinevere and Lancelot, the quest for the Holy Grail, and the Fisher King into the Arthur mythos, and greatly influenced later writers. His epic poems about Knights of the Table Round were seminal works of the Chivalric Romance genre, and emulated countless times by later poets. His final work, Perceval, the Story of the Grail, was never finished due to Author Existence Failure, although several other poets attempted to finish it.
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