About: Idle Moments (album)

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An Entity of Type : dbkwik:resource/Wc01kosy418ODy3h8ZVPQw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Idle Moments is a 1964 jazz album by guitarist Grant Green. Released on Blue Note, it features performances by Joe Henderson on tenor saxophone, Bobby Hutcherson on vibes, Blue Note in-house producer Duke Pearson on piano, Bob Cranshaw on bass, and Al Harewood on drums.

Attributes	Values
rdf:type	Album
rdfs:label	Idle Moments (album)
rdfs:comment	Idle Moments is a 1964 jazz album by guitarist Grant Green. Released on Blue Note, it features performances by Joe Henderson on tenor saxophone, Bobby Hutcherson on vibes, Blue Note in-house producer Duke Pearson on piano, Bob Cranshaw on bass, and Al Harewood on drums.
Length	2565.0 3846.0
dcterms:subject	Albums
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Label	Blue Note Records BST 84154
Producer	Alfred Lion
Name	Idle Moments
Genre	Jazz
Type	Album
Last album	Am I Blue
rev	Allmusic
This Album	Idle Moments
Cover	Idle Moments.jpg
Next album	Matador
Released	1964(xsd:integer)
Artist	Grant Green
Recorded	--11-04 Van Gelder Studio, Englewood Cliffs
abstract	Idle Moments is a 1964 jazz album by guitarist Grant Green. Released on Blue Note, it features performances by Joe Henderson on tenor saxophone, Bobby Hutcherson on vibes, Blue Note in-house producer Duke Pearson on piano, Bob Cranshaw on bass, and Al Harewood on drums. The album is best known for the title piece, a slow blues composition which lasts for nearly 15 minutes. Pearson, who wrote the song, explains in his liner notes to the album that the tune was meant to be much shorter. Due to the musicians repeating the main melody twice, however, there was some confusion as to whether or not one chorus would consist of 16 or 32 measures. Producer Alfred Lion was satisfied with the take, although he suggested that they do a retake to fit the song into a seven minute limit. However, the song had a special feeling to it which no subsequent take could recapture, so it was decided to release the first take on the album. Two other songs, "Jean De Fleur" and "Django," were re-recorded in shorter renditions to compensate for the length of the title track; the extended renditions of both songs can be heard on the 1998 RVG remaster of the album.

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