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The 1981 Canadian-animated film anthology of stories from the magazine of the same name. Laden with sex, violence, profanity, decent animation, and a rippin' soundtrack. The framing story for each short concerns the Loc-Nar, "The sum of all evil," a sentient, floating green orb that kills people by painfully melting them into goo or turning them into monsters (and a plot device that figures into each short), showing a young girl its influence across space and time (after killing her astronaut father, who had just brought it back to Earth).

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  • Heavy Metal (animation)
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  • The 1981 Canadian-animated film anthology of stories from the magazine of the same name. Laden with sex, violence, profanity, decent animation, and a rippin' soundtrack. The framing story for each short concerns the Loc-Nar, "The sum of all evil," a sentient, floating green orb that kills people by painfully melting them into goo or turning them into monsters (and a plot device that figures into each short), showing a young girl its influence across space and time (after killing her astronaut father, who had just brought it back to Earth).
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  • The 1981 Canadian-animated film anthology of stories from the magazine of the same name. Laden with sex, violence, profanity, decent animation, and a rippin' soundtrack. The framing story for each short concerns the Loc-Nar, "The sum of all evil," a sentient, floating green orb that kills people by painfully melting them into goo or turning them into monsters (and a plot device that figures into each short), showing a young girl its influence across space and time (after killing her astronaut father, who had just brought it back to Earth). * * After said father had de-orbited in a classic Corvette convertible. * Harry Canyon, New York taxi driver, gets caught up in a fight between a gang and an archeologist's daughter over the Loc-Nar. She screws him more than once. * Den, originally a skinny, nerdy kid named Dan (voiced by John Candy), gets sucked into Neverwhere, becomes a bald, naked, musclebound hunk (still voiced by John Candy) that every woman in the story (equally naked and buxom) apparently throws herself at, and involves himself in a fight between an evil queen and an unkillable dandy to save the girl he encountered upon arrival. Due to the fairly consistent female nudity, this segment is generally excised from TV prints of the movie altogether. * The Trope Namer for Normally I Would Be Dead Now (while swimming a LONG way underwater). * Captain Sternn, on trial for multiple crimes (including a moving violation), gets more than he bargained for when Hanover Fiste, the man he paid to act as his character witness, goes berserk under the Loc-Nar's influence. * B-17: limping home after a World War II bombing run with most of the crew dead, a USAAF B-17 encounters the Loc-Nar, which then reanimates the dead into flesh eating zombies. The pilot bails out and lands on an island filled with plane wrecks and more zombies. The scariest part of the film. Among critics of the movie, also regarded as the strongest segment, and rarely spoken of in anything but a positive light. * So Beautiful, So Dangerous: aliens abduct a buxom Pentagon secretary, and the robot leader takes a shine to her. The pilots ingest a massive amount of plutonium nyborg and fly home utterly stoned, while the robot gets into the secretary's knickers. The Breather Episode after B-17, and seems to be playing things for laughs. * Taarna, the last Taarakian, is called to defend a peaceful civilization from Loc-Nar-mutated barbarians. She arrives too late, and she turns to vengeance to fulfill her pact. At the climax, Taarna's defeat of the Loc-Nar echoes, and the orb menacing the girl is destroyed. A purple bird of the same kind that Taarna flew arrives at her side, and she flies off, her hair turning white and the Taarakian crest appearing on her neck. Once noted for Keep Circulating the Tapes because music rights kept it from being released on home video. Bootleg tapes of it would routinely turn up, some taped off airings on pay cable channels. Now legally available as well. The film is adapted from a number of stories in Heavy Metal Magazine, an American version of the French comic Métal Hurlant founded by Moebius and Philippe Druillet. A number of other adaptations have also been made, including the film Heavy Metal 2000 (which had almost nothing to do with the first film) and the Third-Person Shooter F.A.K.K.2 (which was based upon Heavy Metal 2000). Somewhat strangely, the film Heavy Metal 2000 is also sometimes seen under the title Heavy Metal: F.A.K.K.2. A new version is in development. Lots of big names are floating around to direct segments. As of August 2011, the David Fincher movie has been cancelled, as Robert Rodriguez has acquired the rights. And the Fandom Rejoiced.
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