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| - To create different colours and textures, maki-e artists use a variety of metal powders including gold, silver, copper, brass, lead, aluminum, platinum, pewter, as well as their alloys. Bamboo tubes and soft brushes of various sizes are used for laying powders and drawing fine lines. As it requires highly-skilled craftsmanship to produce a maki-e painting, young artists usually go through many years of training to develop the skills and to ultimately become maki-e masters. Kouami Douchou (1410—1478) was the first lacquer master linked to specific works. His maki-e works used designs from various Japanese contemporary painters. Kouami and another maki-e master, Igarashi Shinsai, were originators of the two major schools of lacquer-making in the history of Japan.
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| - To create different colours and textures, maki-e artists use a variety of metal powders including gold, silver, copper, brass, lead, aluminum, platinum, pewter, as well as their alloys. Bamboo tubes and soft brushes of various sizes are used for laying powders and drawing fine lines. As it requires highly-skilled craftsmanship to produce a maki-e painting, young artists usually go through many years of training to develop the skills and to ultimately become maki-e masters. Kouami Douchou (1410—1478) was the first lacquer master linked to specific works. His maki-e works used designs from various Japanese contemporary painters. Kouami and another maki-e master, Igarashi Shinsai, were originators of the two major schools of lacquer-making in the history of Japan. Takamakie (or "raised maki-e") is one of the three major techniques in maki-e making. Developed in the Muromachi Period (1336—1573), the technique of takamakie involves building up design patterns above the surface through a mixture of metal powder, lacquer and charcoal or clay dust. Another special kind of maki-e is togidashi maki-e, where a black lacquer without oil is put on the metal decoration as an additional coat.
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