rdfs:comment
| - This screenwriting technique is seen a lot in "realist" films of the seventies and eighties, with a kind of rebirth in the nineties. It involves cutting to a still object. It might be a stalk of grass, a branch with dew, or a child's toy. Sometimes the trope involves fading in and out of focus, as was done a lot in the 70s, or holding steady, sharp focus. It might be a close up of a Christmas ornament while the drunken parents are arguing, perhaps showing how the child finds it too painful to look at directly, and instead fixates on something steady and reliable. The whole scene of a dinner might focus on a bowl of soup rather than the person eating it.
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abstract
| - This screenwriting technique is seen a lot in "realist" films of the seventies and eighties, with a kind of rebirth in the nineties. It involves cutting to a still object. It might be a stalk of grass, a branch with dew, or a child's toy. Sometimes the trope involves fading in and out of focus, as was done a lot in the 70s, or holding steady, sharp focus. It might be a close up of a Christmas ornament while the drunken parents are arguing, perhaps showing how the child finds it too painful to look at directly, and instead fixates on something steady and reliable. The whole scene of a dinner might focus on a bowl of soup rather than the person eating it. This trope more often than not has a melancholy or painful tone to it. It often feels emotionally detached or wistful. Effects are often achieved through shifting Depth of Field. The technical term for this in cinema is Associational Montage, or Intellectual Montage. The Grammar of Film & Television writes: What it is not: Shots of an object with major significance to the subject (the Ring in Lord of the Rings, the Coffee and the Cigarettes in Coffee And Cigarettes, Rosebud...) See also Motif for use of objects as a motif, usually a recurring motif. This is a specific type of Montage. Related to Aspect Montage, among others. Examples of Blade of Grass Cut include:
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