Platt was castrated as a child thus inspiring him to create the sexless Looms. He was the secret hidden mastermind behind the so-called Cartmel Masterplan, though his extreme vision for the program was largely diluted by Cartmel.
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| - Marc Platt
- Marc Platt
- Marc Platt
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| - Selbst ist er ein unglaublicher Fan der Serie und besonders begeistert von William Hartnells Darstellung des ersten Doctors. In Interviews betonte er mehrfach, dass für ihn das spannenste sei, die Historie von Gallifrey zu entdecken.
- Platt was castrated as a child thus inspiring him to create the sexless Looms. He was the secret hidden mastermind behind the so-called Cartmel Masterplan, though his extreme vision for the program was largely diluted by Cartmel.
- Marc Platt is an American film, television and theatre producer. He has served as president of production for three movie studios: Orion, Tristar, and Universal. Platt has formed his own production company, Marc Platt Productions. His company is responsible for the critically acclaimed TV mini-series "Empire Falls". Platt is also producer of the Broadway hit musical "Wicked". His projects have garnered a combined eight Oscar nominations, 16 Tony nominations, 13 Golden Globe nominations and 19 Emmy nominations. His film credits include such titles as; Legally Blonde (1991), Wanted (2008), Rachel Getting Married (2008), Nine (2009), Drive (2011), and Into the Woods (2014).
- Marc Platt est le scénariste de l'épisode de Doctor Who Ghost Light ainsi que l'écrivain de plusieurs romans, audio et nouvelles. Un de ses épisodes audio, Spare Parts, inspira les épisodes Rise of the Cybermen/The Age of Steel pour lequel il fut crédité (et payé) dans le générique de fin.
- Platt was "in love" with Doctor Who "from 23 November 1963" and had a "total obsession" with the show. He loved William Hartnell's portrayal of the First Doctor but thought of Patrick Troughton's Second Doctor as his Doctor. In 2014, he said that in the then-recently rediscovered stories The Web of Fear and The Enemy of the World, Troughton was "absolutely wonderful". (DWM 476) He also contributed to the charity reference book Behind the Sofa: Celebrity Memories of Doctor Who.
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| - Pikesville, Maryland, USA
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| - Platt at the 16th Annual AFI Awards
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| - Selbst ist er ein unglaublicher Fan der Serie und besonders begeistert von William Hartnells Darstellung des ersten Doctors. In Interviews betonte er mehrfach, dass für ihn das spannenste sei, die Historie von Gallifrey zu entdecken.
- Platt was castrated as a child thus inspiring him to create the sexless Looms. He was the secret hidden mastermind behind the so-called Cartmel Masterplan, though his extreme vision for the program was largely diluted by Cartmel.
- Marc Platt is an American film, television and theatre producer. He has served as president of production for three movie studios: Orion, Tristar, and Universal. Platt has formed his own production company, Marc Platt Productions. His company is responsible for the critically acclaimed TV mini-series "Empire Falls". Platt is also producer of the Broadway hit musical "Wicked". His projects have garnered a combined eight Oscar nominations, 16 Tony nominations, 13 Golden Globe nominations and 19 Emmy nominations. His film credits include such titles as; Legally Blonde (1991), Wanted (2008), Rachel Getting Married (2008), Nine (2009), Drive (2011), and Into the Woods (2014).
- Marc Platt est le scénariste de l'épisode de Doctor Who Ghost Light ainsi que l'écrivain de plusieurs romans, audio et nouvelles. Un de ses épisodes audio, Spare Parts, inspira les épisodes Rise of the Cybermen/The Age of Steel pour lequel il fut crédité (et payé) dans le générique de fin.
- Platt was "in love" with Doctor Who "from 23 November 1963" and had a "total obsession" with the show. He loved William Hartnell's portrayal of the First Doctor but thought of Patrick Troughton's Second Doctor as his Doctor. In 2014, he said that in the then-recently rediscovered stories The Web of Fear and The Enemy of the World, Troughton was "absolutely wonderful". (DWM 476) Platt continued to watch the Jon Pertwee and Tom Baker eras of the show by bringing a portable television into work. While he held "slightly less affection" for the Pertwee era than the earlier eras, and thought of Pertwee as "very different", he thought that the show "didn't lose its magic at all". He also "liked early Tom Baker very much". He felt that a few seasons prior to him joining as a writer, the show had been "down to the depths" and "aimless and [...] suffered from shallowness", but thought that after Andrew Cartmel joined as script editor, "it was well on the mend" and that Cartmel "had the vision to put it back on track". (DWM 476) Platt wasn't a fan of the 21st century series' 45-minute format. He believed that after the show returned in 2005, "it had a lot of potential but the stories were too short. They had a lot more two-parters back then, but they seem to have been abandoned in favour of story arcs across the season, which become too convoluted and tangled." He thought that the modern producers and writers "[s]ometimes [... got] it right, but mostly they're just desperately piling so much stuff in" and that the show was "Doctor Who-light" and "too fast and superficial sometimes". Nonetheless, Platt did enjoy some of the individual modern stories. He "really liked" The Impossible Planet and The Satan Pit for "getting back to the original style", while according to Platt, The Doctor's Wife was "extraordinary", "fresh", "really had some depth" and "was really made with love". (DWM 476) He also contributed to the charity reference book Behind the Sofa: Celebrity Memories of Doctor Who.
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