About: Liana Del Giudice   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

After her departure from Doctor Who, she edited occasional episodes of various series, including Primeval, The Bill and Wire in the Blood. She also enjoyed a long run editing for Gavin & Stacey, which continued from 2007 to 2010. Her most recent work has found her once again editing Billie Piper's work, but this time on Secret Diary of a Call Girl. In 2010 she was also the editor for Mark Gatiss' adaptation of The First Men in the Moon. In 2013 she returned to Doctor Who, editing the 50th anniversary special The Day of the Doctor.

AttributesValues
rdfs:label
  • Liana Del Giudice
rdfs:comment
  • After her departure from Doctor Who, she edited occasional episodes of various series, including Primeval, The Bill and Wire in the Blood. She also enjoyed a long run editing for Gavin & Stacey, which continued from 2007 to 2010. Her most recent work has found her once again editing Billie Piper's work, but this time on Secret Diary of a Call Girl. In 2010 she was also the editor for Mark Gatiss' adaptation of The First Men in the Moon. In 2013 she returned to Doctor Who, editing the 50th anniversary special The Day of the Doctor.
dcterms:subject
dbkwik:tardis/prop...iPageUsesTemplate
Name
  • Liana Del Giudice
ID
  • 215574(xsd:integer)
abstract
  • After her departure from Doctor Who, she edited occasional episodes of various series, including Primeval, The Bill and Wire in the Blood. She also enjoyed a long run editing for Gavin & Stacey, which continued from 2007 to 2010. Her most recent work has found her once again editing Billie Piper's work, but this time on Secret Diary of a Call Girl. In 2010 she was also the editor for Mark Gatiss' adaptation of The First Men in the Moon. In 2013 she returned to Doctor Who, editing the 50th anniversary special The Day of the Doctor. Her career began in the late 1990s and she didn't have many credits before coming into Doctor Who. However, one of the more important for the development of her future career may well have been two episodes of the then-Phil Collinson-produced Sea of Souls.
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