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Dr. Julia Hoffman, determined to find out if her suspicions concerning Barnabas Collins are correct, has sneaked inside the Old House and discovers his coffin in the basement. She lifts the lid, and finds Barnabas sleeping within.

AttributesValues
rdfs:label
  • 290
  • 290
  • 290
  • 290
rdfs:comment
  • El dos cientos noventa (290) es el número natural que sigue al 289 y precede al 291. Categoría:Números
  • Dieter taucht unvermittelt auf und trifft auf eine desolate Nina, die noch unter den Eindrücken ihres Konzertbesuchs mit Tim steht. Ohne die eigentlichen Gründe für Ninas Zustand zu ergründen, hält er das Experiment des Alleinwohnens für gescheitert. Dieter will die Wohnung auflösen und Nina gegen ihren Willen mit nach Eisenhüttenstadt nehmen. Peu à Peu kommt Maximilian Axel geheimem Schatz auf die Spur - der Überwachungs-DVD, mit der er die Steinkamps erpresst. Währenddessen treibt Axel die Hochzeit mit Jenny voran, ohne zu ahnen, dass Richard und Simone längst alles unternommen haben, um die Hochzeit doch noch zu verhindern. Dank Roman Aussage bei der Polizei kommt Deniz noch einmal glimpflich davon. Als Deniz seinem Vater allerdings auch noch seine homosexuellen Gefühle beichtet, verste
  • Dr. Julia Hoffman, determined to find out if her suspicions concerning Barnabas Collins are correct, has sneaked inside the Old House and discovers his coffin in the basement. She lifts the lid, and finds Barnabas sleeping within.
sameAs
dcterms:subject
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  • 290(xsd:integer)
PrevEp
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tapedate
  • 1967-07-17(xsd:date)
Number
  • 286(xsd:integer)
Timeline
  • 1967(xsd:integer)
Narrator
Airdate
  • 1967-08-04(xsd:date)
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Video
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  • 290(xsd:integer)
Writer
Director
abstract
  • El dos cientos noventa (290) es el número natural que sigue al 289 y precede al 291. Categoría:Números
  • Dr. Julia Hoffman, determined to find out if her suspicions concerning Barnabas Collins are correct, has sneaked inside the Old House and discovers his coffin in the basement. She lifts the lid, and finds Barnabas sleeping within. Later that evening, Dr. Woodard pays a call on Julia in the Drawing room at Collinwood. The two physicians are engaged in another argument: Woodard demands explanations Julia is not prepared to give. He threatens to remove Maggie Evans from her care. Julia correctly surmises that Woodard is doing this out of spite due to the fact she hasn't given him a day-to-day report. She placates him, feigning discouragement over the supposed lack of progress she's made. Julia claims this is the reason for not giving Woodard any reports. He, however, is immediately suspicious of her. Woodard reluctantly agrees to allow Maggie to remain at Windcliff Sanitarium "for the time being". As the pair move into the foyer, Victoria Winters has come downstairs to answer a knock at the door. It is Barnabas, who learns that Woodard and Julia are friends. Once the former has departed, Barnabas speaks with the latter and tells her he would like to have a word with her. Julia--believing Barnabas has changed his mind about assisting her in her research--leaves to get her notebook, giving Barnabas an opportunity to talk with Victoria alone. He is disappointed to learn Victoria is not enjoying the historical research, and the governess confesses her fear of losing herself in the past she once loved. Victoria is more enamoured with the past than ever before, and she is thinking of returning Josette's music box to Barnabas. Despite the enchanting effect it has on her, Barnabas insists that she keep it. He tells her she should not be afraid being trapped by the past, rather she should be wary of being trapped by the present. Barnabas and Julia retire to the drawing room, where Barnabas apologizes for his behavior toward her the other day. She presses him for details concerning the "original" Barnabas and his sister Sarah Collins, and notes the effect mentioning the little girl's name has on him. Again, Julia claims to have uncovered some new facts about Barnabas' "namesake." She will exchange her information only if Barnabas will share what he knows with her. After a little verbal sparring, and Julia suggests they meet at the Old House in the morning or afternoon, and Barnabas says he won't be available until evening, so they arrange a meeting at the Old House for tomorrow evening. Before he leaves, she remarks upon Barnabas' uncanny resemblance to the Portrait of Barnabas. Reading between the lines, it is clear to Barnabas she knows more than she's telling. Later that night, Julia prepares for bed and deliberately leaves her window open. Victoria pays her a visit, and confides her fear of being trapped in the past. She tenses up when a dog begins to howl outside, and Julia learns that Victoria heard something similar the night Maggie vanished. Julia consoles her, and Victoria says goodnight before returning to her bedroom. Julia looks at her clock, and notices it is 12:45 in the morning. The grandfather clock in the foyer chimes 2:00 when Barnabas appears in Julia's room and approaches her bed. But Julia, who has been waiting for him, confronts the vampire, saying she has been waiting for him for a very long time.
  • Dieter taucht unvermittelt auf und trifft auf eine desolate Nina, die noch unter den Eindrücken ihres Konzertbesuchs mit Tim steht. Ohne die eigentlichen Gründe für Ninas Zustand zu ergründen, hält er das Experiment des Alleinwohnens für gescheitert. Dieter will die Wohnung auflösen und Nina gegen ihren Willen mit nach Eisenhüttenstadt nehmen. Peu à Peu kommt Maximilian Axel geheimem Schatz auf die Spur - der Überwachungs-DVD, mit der er die Steinkamps erpresst. Währenddessen treibt Axel die Hochzeit mit Jenny voran, ohne zu ahnen, dass Richard und Simone längst alles unternommen haben, um die Hochzeit doch noch zu verhindern. Dank Roman Aussage bei der Polizei kommt Deniz noch einmal glimpflich davon. Als Deniz seinem Vater allerdings auch noch seine homosexuellen Gefühle beichtet, versteht die Welt nicht mehr. Vehement weist er seinen schwulen Sohn zurück.
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