About: George & Nina - additional scene   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

We pan along the walls of the attic. GEORGE (O.C.)I want a go. NINA (O.C.)You've had a go. You've had lots ofgoes. She's asleep anyway. It's pretty much as we remember it, except it's clearly at the early stages of being turned into a nursery. A cot, amobile, the beginnings of a mural on the wall. We find George and Nina, sitting on the floor together,cooing over their baby. GEORGEShe isn't! NINAGeorge, you're gonna wake her. Soselfish, my God. GEORGEGive me the damn baby. Nina is laughing. She hands him the baby. Having her in hisarms makes him beam. NINAAh, I dunno. I'm fine. 3.GEORGEWhat?

AttributesValues
rdfs:label
  • George & Nina - additional scene
rdfs:comment
  • We pan along the walls of the attic. GEORGE (O.C.)I want a go. NINA (O.C.)You've had a go. You've had lots ofgoes. She's asleep anyway. It's pretty much as we remember it, except it's clearly at the early stages of being turned into a nursery. A cot, amobile, the beginnings of a mural on the wall. We find George and Nina, sitting on the floor together,cooing over their baby. GEORGEShe isn't! NINAGeorge, you're gonna wake her. Soselfish, my God. GEORGEGive me the damn baby. Nina is laughing. She hands him the baby. Having her in hisarms makes him beam. NINAAh, I dunno. I'm fine. 3.GEORGEWhat?
dcterms:subject
abstract
  • We pan along the walls of the attic. GEORGE (O.C.)I want a go. NINA (O.C.)You've had a go. You've had lots ofgoes. She's asleep anyway. It's pretty much as we remember it, except it's clearly at the early stages of being turned into a nursery. A cot, amobile, the beginnings of a mural on the wall. We find George and Nina, sitting on the floor together,cooing over their baby. GEORGEShe isn't! NINAGeorge, you're gonna wake her. Soselfish, my God. GEORGEGive me the damn baby. Nina is laughing. She hands him the baby. Having her in hisarms makes him beam. GEORGE (cont'd)Why don't you go out for a bit. Getsome fresh air. You haven't left thehouse for nine days. NINAAh, I dunno. I'm fine. GEORGEIt'll do you good! Read the paper,sit in the park, feed the ducks, geta tattoo. NINAYou just want to hog the baby.You're not interested in me nowshe's on the scene. GEORGEThat is simply not true... whatever-your-name-is. NINA(beat)Full moon in two weeks, what do youthink's going to happen? It's clearly been playing on George's mind too. GEORGEMaybe nothing, maybe she'll be fine. NINAI'm sure she can see Annie. Doesn'tthat mean she's like us? George looks at her. He can't answer that any more than Ninacan. A heavy beat. NINA (cont'd)How is Annie? GEORGEStill at the 'displacement cleaning'stage. NINAAnd you? How are you doing? GEORGEMitchell was my best friend. How amI supposed to feel?(sighs)I'm ok. I've got you two. NINAI'll tell you one thing, we have gotto stop calling her 'the baby'. GEORGEYou know my feelings on the matter. NINAOk, for the 45th time, we are notcalling her Sapphire. GEORGEIt's a traditional Jewish name! Itwas my Grandmother's name! NINAAnd I'm sure if my grandmother hadbeen Israel's first stripper, I'd bevery proud too. GEORGESeriously, go out, you're irritatingme now. NINA(kissing them both)Ok, back in ten minutes. Be good. Nina gets to her feet, crosses to the door. She stops, looksback at George. Framed in the doorway, she looks beautiful. 3.GEORGEWhat? NINAI don't know. You.GEORGEYou happy?NINA(grins) Getting there.She leaves, closes the door. The original script is available here:
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