About: Dracula (Spanish-language version)   Sponge Permalink

An Entity of Type : dbkwik:resource/cLdc_izgvd0hqPjCMhnpUg==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

In recent years, this version has become more highly praised by some than the more popular English-language version.[citation needed] The Spanish crew had the advantage of watching the English dailies when they came in for the evening, and they would figure out better camera angles and more effective use of lighting in an attempt to "top" it. As a result, this version's supporters consider it to be much more artistically effective. The Spanish semiologist Roman Gubern considers that the longer duration allows better development of the plot in spite of the shortened shooting time and smaller budget.

AttributesValues
rdf:type
rdfs:label
  • Dracula (Spanish-language version)
rdfs:comment
  • In recent years, this version has become more highly praised by some than the more popular English-language version.[citation needed] The Spanish crew had the advantage of watching the English dailies when they came in for the evening, and they would figure out better camera angles and more effective use of lighting in an attempt to "top" it. As a result, this version's supporters consider it to be much more artistically effective. The Spanish semiologist Roman Gubern considers that the longer duration allows better development of the plot in spite of the shortened shooting time and smaller budget.
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Starring
Editing
Runtime
  • 6240.0
Producer
Country
  • United States
Name
  • Dracula
Caption
  • Theatrical release poster.
Language
  • Hungarian
  • Spanish
Cinematography
Distributor
Budget
  • 66000.0
Writer
Director
abstract
  • In recent years, this version has become more highly praised by some than the more popular English-language version.[citation needed] The Spanish crew had the advantage of watching the English dailies when they came in for the evening, and they would figure out better camera angles and more effective use of lighting in an attempt to "top" it. As a result, this version's supporters consider it to be much more artistically effective. The Spanish semiologist Roman Gubern considers that the longer duration allows better development of the plot in spite of the shortened shooting time and smaller budget. This film was thought to be lost, but a print was discovered in the 1970s and restored.
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