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| - The quest for perfection consumed the Emperor's Children in body as well as spirit. For some it was not enough to achieve the accolade of perfection, they thirsted to embody that perfection. For these warriors it was not enough that the Emperor had crafted their flesh, and shaped each with insight and knowledge no other could rival; their granted state was simply the beginning of an unfinished path. Evidence would emerge during the Heresy that many years before Horus' treachery was made manifest, a few amongst the Emperor's Children, most notably their Chief Apothecary Fabius, believed that they could perhaps improve on what gene-seed, human breeding and the Emperor's design had made them. They tampered with implanted gene-seed organs, analysed and modified Progenoids, and undertook surgic
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| abstract
| - The quest for perfection consumed the Emperor's Children in body as well as spirit. For some it was not enough to achieve the accolade of perfection, they thirsted to embody that perfection. For these warriors it was not enough that the Emperor had crafted their flesh, and shaped each with insight and knowledge no other could rival; their granted state was simply the beginning of an unfinished path. Evidence would emerge during the Heresy that many years before Horus' treachery was made manifest, a few amongst the Emperor's Children, most notably their Chief Apothecary Fabius, believed that they could perhaps improve on what gene-seed, human breeding and the Emperor's design had made them. They tampered with implanted gene-seed organs, analysed and modified Progenoids, and undertook surgical augmentation of those willing subjects who shared their obsessions. The blasphemies of flesh this belief would birth only emerged in the darkest years of the great interstellar civil war, but its roots must have grown long before the Emperor's Children trod the hot ashes of Istvaan III. Soon after the treachery of the Istvaan III Atrocity, a terrible force took hold of the Emperor's Children Legion under their master Fulgrim, and for many the fall was swift and terrible to behold. Practices and experiments long secret and carried out with dire caution were unleashed and fused with malign forces from beyond the boundaries of reality. One of the first malignant tools made manifest were the strange and experimental psycho-sonic weapons that would come to be known as the Cacophony or Kakophoni in High Gothic. These weapons proved savagely powerful but also dangerously unpredictable in their first incarnation. This sonic weaponry is descended from the musical instruments invented by the famed composer Bequa Kynska of Terra, who accompanied the Emperor's Children's 28th Expeditionary Fleet as a Remembrancer aboard the Battle Barge Pride of the Emperor during the last days of the Great Crusade. Kynska was a jaded musician always in search of further sensations to create more exhilarating and all-encompassing music, which made her an easy target for Slaaneshi corruption. After Kynska accompanied many of the 28th Expedition's Remembrancers to the temple dedicated to Slaanesh on the Xenos World of Laeran, she was touched by the Chaotic corruption of that foul place and slowly sought to create the ultimate orchestral piece that she believed could capture the wondrous sounds she had heard within the Laer temple. Her ultimate masterpiece was a symphony she named the Maraviglia and which she performed for Fulgrim and all the assembled Astartes of the Emperor's Children and their support personnel within the Remebrancers' lounge called La Fenice aboard the Pride of the Emperor. To recreate the sounds she had heard, Kynska created new musical instruments whose sonic powers could also be used for destruction when employed by an individual already corrupted by Slaanesh. As the Maraviglia began, the cachophony of sound unleashed by these instruments acted as a ritual that opened a link between realspace and the Warp and allowed the power of Slaanesh to directly touch the audience. During the "performance" it was noted that the musical instruments were able to produce effects variously disorienting, stimulating and downright murderous. Chaotic mutations ran rampant through the audience and Astartes and humans alike were so overwhelmed by sensation and uncontrollable emotions that they unleashed an orgy of both sensual hedonism and the most base forms of murder upon one another. Ultimately, the music summoned five Lesser Daemons of Slaanesh known as Daemonettes from the Warp who possessed the bodies of Kynska and several of her singers and joined in the slaughter. During this part of the concert, several Emperor's Children Astartes left their seats and took up the instruments to try and keep the Chaotic music playing and in the course of their untrained fumblings with the instruments discovered that they could unleash waves of destructive sonic power filled with the psychic strength of Chaos. Commanded by the Legion's Third Captain Marius Vairosean, on Istvaan V the first of these weapons were unleashed by members of the Emperor's Children who had already begun to degenerate and mutilate themselves in response to the canker of Warp-taint to which they had been exposed, a progression of gathering madness and physical corruption that would accelerate at a frightening rate thanks to continued exposure to the reality-rending effects of their perverted weaponry. These Chaos-corrupted Astartes became the first Noise Marines.
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