About: Best Cinematography (Black-and-White)   Sponge Permalink

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The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work in one particular motion picture.

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  • Best Cinematography (Black-and-White)
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  • The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work in one particular motion picture.
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Winner
  • A Place in the Sun — William C. Mellor
  • Anna and the King of Siam — Arthur Miller
  • Battleground — Paul C. Vogel
  • From Here to Eternity — Burnett Guffey
  • Great Expectations — Guy Green
  • How Green Was My Valley — Arthur Miller
  • Hud — James Wong Howe
  • Laura — Joseph LaShelle
  • Mrs. Miniver — Joseph Ruttenberg
  • On the Waterfront — Boris Kaufman
  • Rebecca — George Barnes
  • Ship of Fools — Ernest Laszlo
  • Sons and Lovers — Freddie Francis
  • The Bad and the Beautiful — Robert Surtees
  • The Defiant Ones — Sam Leavitt
  • The Diary of Anne Frank — William C. Mellor
  • The Hustler — Eugen Shuftan
  • The Naked City — William Daniels
  • The Picture of Dorian Gray — Harry Stradling
  • The Rose Tattoo — James Wong Howe
  • The Song of Bernadette — Arthur Miller
  • The Third Man — Robert Krasker
  • Wuthering Heights — Gregg Toland
  • Zorba the Greek — Walter Lassally
  • Who's Afraid of Virginia Woolf? — Haskell Wexler
  • The Longest Day — Jean Bourgoin, Walter Wottitz,
  • Somebody Up There Likes Me — Joseph Ruttenberg
nominee
  • Since You Went Away — Stanley Cortez, Lee Garmes
  • A Foreign Affair — Charles B. Lang, Jr.
  • A Patch of Blue — Robert Burks
  • A Streetcar Named Desire — Harry Stradling
  • Abe Lincoln in Illinois — James Wong Howe
  • All This, and Heaven Too — Ernest Haller
  • All about Eve — Milton Krasner
  • Anatomy of a Murder — Sam Leavitt
  • Arise, My Love — Charles B. Lang, Jr.
  • Baby Doll — Boris Kaufman
  • Birdman of Alcatraz — Burnett Guffey
  • Blackboard Jungle — Russell Harlan
  • Boom Town — Harold Rosson
  • Career — Joseph LaShelle
  • Casablanca — Arthur Edeson
  • Champion — Frank Planer
  • Citizen Kane — Gregg Toland
  • Come to the Stable — Joseph LaShelle
  • Corvette K-225 — Tony Gaudio
  • Death of a Salesman — Frank Planer
  • Desire under the Elms — Daniel L. Fapp
  • Double Indemnity — John Seitz
  • Dr. Jekyll and Mr. Hyde — Joseph Ruttenberg
  • Dragon Seed — Sidney Wagner
  • Executive Suite — George Folsey
  • Fate Is the Hunter — Milton Krasner
  • First Love — Joseph Valentine
  • Five Graves to Cairo — John Seitz
  • Foreign Correspondent — Rudolph Maté
  • Gaslight — Joseph Ruttenberg
  • Georgy Girl — Ken Higgins
  • Going My Way — Lionel Lindon
  • Green Dolphin Street — George Folsey
  • Gunga Din — Joseph H. August
  • Here Comes Mr. Jordan — Joseph Walker
  • Hold Back the Dawn — Leo Tover
  • Hush...Hush, Sweet Charlotte — Joseph Biroc
  • I Remember Mama — Nicholas Musuraca
  • I Want to Live! — Lionel Lindon
  • I'll Cry Tomorrow — Arthur E. Arling
  • In Harm's Way — Loyal Griggs
  • Inherit the Wind — Ernest Laszlo
  • Intermezzo — Gregg Toland
  • Is Paris Burning? — Marcel Grignon
  • Johnny Belinda — Ted McCord
  • Juarez — Tony Gaudio
  • Judgment at Nuremberg — Ernest Laszlo
  • Julius Caesar — Joseph Ruttenberg
  • King Rat — Burnett Guffey
  • Kings Row — James Wong Howe
  • Lady of the Tropics — George Folsey
  • Lifeboat — Glen MacWilliams
  • Lilies of the Field — Ernest Haller
  • Madame Curie — Joseph Ruttenberg
  • Martin Luther — Joseph C. Brun
  • Marty — Joseph LaShelle
  • Mildred Pierce — Ernest Haller
  • Moontide — Charles Clarke
  • Morituri — Conrad Hall
  • My Cousin Rachel — Joseph LaShelle
  • Navajo — Virgil E. Miller
  • Of Mice and Men — Norbert Brodine
  • One, Two, Three — Daniel L. Fapp
  • Only Angels Have Wings — Joseph Walker
  • Portrait of Jennie — Joseph August
  • Prince of Foxes — Leon Shamroy
  • Psycho — John L. Russell
  • Queen Bee — Charles Lang
  • Rogue Cop — John Seitz
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