In the late 1940's, in the face of Imperial decline, the BBC governor's decided to exploit the soft-power of British broadcasting excellence by commissioning ideas for children's programmes from a host of well-known cultural figures. Despite the eminence of the authors approached few of the scripts went into production: John Maynard Keynes' "Charlie, Lola and the need for monetary expansion" was felt to lack empathy for the economic dis-empowerment of four year olds, while Samuel Beckett's "Waiting for Noddy" was condemned as "meaningless clap-trap laced with unnecessary racism towards Goblins." Even world-renowned children's author Enid Blyton was not immune to disappointment with her high profile collaboration with Danish theoretical Physicist, Professor Nils Bohr, ("The Secret Seven and
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| - BBC Worldwide: Children's Television
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| - In the late 1940's, in the face of Imperial decline, the BBC governor's decided to exploit the soft-power of British broadcasting excellence by commissioning ideas for children's programmes from a host of well-known cultural figures. Despite the eminence of the authors approached few of the scripts went into production: John Maynard Keynes' "Charlie, Lola and the need for monetary expansion" was felt to lack empathy for the economic dis-empowerment of four year olds, while Samuel Beckett's "Waiting for Noddy" was condemned as "meaningless clap-trap laced with unnecessary racism towards Goblins." Even world-renowned children's author Enid Blyton was not immune to disappointment with her high profile collaboration with Danish theoretical Physicist, Professor Nils Bohr, ("The Secret Seven and
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abstract
| - In the late 1940's, in the face of Imperial decline, the BBC governor's decided to exploit the soft-power of British broadcasting excellence by commissioning ideas for children's programmes from a host of well-known cultural figures. Despite the eminence of the authors approached few of the scripts went into production: John Maynard Keynes' "Charlie, Lola and the need for monetary expansion" was felt to lack empathy for the economic dis-empowerment of four year olds, while Samuel Beckett's "Waiting for Noddy" was condemned as "meaningless clap-trap laced with unnecessary racism towards Goblins." Even world-renowned children's author Enid Blyton was not immune to disappointment with her high profile collaboration with Danish theoretical Physicist, Professor Nils Bohr, ("The Secret Seven and the Mystery of Quantum Uncertainty") considered "so lacking in plot as to be incoherent", and her joint-effort with pioneering American Psychologist, Dr. Timothy Leary ("Five go mad on Mescaline") found to be "A positive menace to the morals of children everywhere." Only three of the original twelve series were completed. Perhaps the most critically acclaimed of the three was Dylan Thomas's heart-wrenching account of Tellytubbies forced to spend 12 hours a day excavating custard for a merciless mine-owner in the ravaged Welsh industrial town of Pant-y-Hôs. Well regarded across the Atlantic, In the Night Garden was created by ex-patriot American author and feminist Ernest Hemingway. The series portrayed Iggle Piggle's battle against suicidal inclinations following the break-down of his relationship with Makka Pakka, initially by involving himself in the vicious war between the Wottingers and Haa-foos and later by plunging into a doomed love affair with syphilitic Nurse Upsy Daisy in a filthy field hospital. But without doubt the most frequently repeated of these series across the globe was the animated series "Scoobie-Doo, pray where art thou?", the script of which was reputedly dictated to psychic medium Doris Bulschidt by the spirit of Will.i.am Shakespeare.
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