About: Peter Webb   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

In 2002 and 2005 he received Golden Horse Award nominations in the category Best Visual Effects at the Golden Horse Film Festival for his work on the mystery thriller Shuang tong (2002) and the fantasy film Qi Jian (2005). For both films he also received Hong Kong Film Award nominations in the category Best Visual Effects. In 2010, Webb was nominated for a Primetime Emmy Award in the category Outstanding Special Visual Effects for a Miniseries, Movie or a Special for his work on the television mini series The Pacific, shared with John E. Sullivan and Jerry Pooler. In 2012 he received an AACTA Award nomination for Best Visual Effects from the Australian Film Institute for his work on the action film Sanctum (2011).

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  • Peter Webb
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  • In 2002 and 2005 he received Golden Horse Award nominations in the category Best Visual Effects at the Golden Horse Film Festival for his work on the mystery thriller Shuang tong (2002) and the fantasy film Qi Jian (2005). For both films he also received Hong Kong Film Award nominations in the category Best Visual Effects. In 2010, Webb was nominated for a Primetime Emmy Award in the category Outstanding Special Visual Effects for a Miniseries, Movie or a Special for his work on the television mini series The Pacific, shared with John E. Sullivan and Jerry Pooler. In 2012 he received an AACTA Award nomination for Best Visual Effects from the Australian Film Institute for his work on the action film Sanctum (2011).
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  • In 2002 and 2005 he received Golden Horse Award nominations in the category Best Visual Effects at the Golden Horse Film Festival for his work on the mystery thriller Shuang tong (2002) and the fantasy film Qi Jian (2005). For both films he also received Hong Kong Film Award nominations in the category Best Visual Effects. In 2010, Webb was nominated for a Primetime Emmy Award in the category Outstanding Special Visual Effects for a Miniseries, Movie or a Special for his work on the television mini series The Pacific, shared with John E. Sullivan and Jerry Pooler. In 2012 he received an AACTA Award nomination for Best Visual Effects from the Australian Film Institute for his work on the action film Sanctum (2011). Early credits as digital animator and compositor include the video game adaptation Super Mario Bros. (1993), the science fiction comedy Coneheads (1993), the horror film Man's Best Friend (1993), the thriller Terminal Velocity (1994), the comic adaptation Batman Forever (1995), and the television mini series The Thorn Birds: The Missing Years (1996). Webb worked as visual effects designer on the 1996 romance Romeo + Juliet, along with Peter W. Moyer. Further credits include the television thriller The Ripper (1997), the comedy Dead Letter Office (1998), the television series The Genie From Down Under 2 (1998), the television adventure Noah's Ark (1999), the comedy The Dish (2000), the fantasy film The Inside Story (2002), the television series Pirate Islands (2003), the adventure House of Flying Daggers (2004), and the romance Look Both Ways (2005). Since 2005, Webb is working as visual effects artist and supervisor for the production company Iloura for which he worked on the action drama Catch a Fire (2006), the crime thriller The Bank Job (2008), the drama Australia (2008), the drama Ru meng (2009), the western Red Hill (2010), the fantasy western The Warrior's Way (2010), the crime thriller Killer Elite (2011), the sequel Ghost Rider: Spirit of Vengeance (2011), and the fantasy comedy Ted (2012).
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