This song was uploaded on November 25, 2008 for Futago no Hi, and has reached over 65,000 views. It is Kea-P's most notable work, and is popular in the western fandom more than the eastern (the original reprint had around 400,000 views before it was taken down). The song tells a story of two children who are separated by a mirror, singing to each other in hopes that their voice will reach the other. In the end, the mirror cracks, and the two are overjoyed.
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rdfs:label
| - 君のいない場所で (Kimi no Inai Basho de)
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rdfs:comment
| - This song was uploaded on November 25, 2008 for Futago no Hi, and has reached over 65,000 views. It is Kea-P's most notable work, and is popular in the western fandom more than the eastern (the original reprint had around 400,000 views before it was taken down). The song tells a story of two children who are separated by a mirror, singing to each other in hopes that their voice will reach the other. In the end, the mirror cracks, and the two are overjoyed.
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#views
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songtitle
| - "君のいない場所で"
- English: In the Place Where You Are Not
- Romaji: Kimi no Inai Basho de
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original upload date
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yt id
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dbkwik:vocaloid/pr...iPageUsesTemplate
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Category
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Singer
| - Kagamine Rin and Kagamine Len
- Kagamine Rin Append, Kagamine Len Append
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Producer
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dbkwik:vocaloidlyr...iPageUsesTemplate
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Author
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Link
| - Niconico Broadcast / piapro Broadcast / YouTube Broadcast
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Title
| - Rin and Len Append Cover
- "君のいない場所で"
* Romaji: Kimi no Inai Basho de
* English: In the Place Where You Are Not
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Description
| - The story of the Kagamine separated by a mirror .
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Views
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Singers
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abstract
| - This song was uploaded on November 25, 2008 for Futago no Hi, and has reached over 65,000 views. It is Kea-P's most notable work, and is popular in the western fandom more than the eastern (the original reprint had around 400,000 views before it was taken down). The song tells a story of two children who are separated by a mirror, singing to each other in hopes that their voice will reach the other. In the end, the mirror cracks, and the two are overjoyed.
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