Hittin' the Trail for Hallelujah Land is a Merrie Melodies animated cartoon directed by Rudy Ising (uncredited), produced by Leon Schlesinger Productions, Warner Bros. Pictures and The Vitaphone Corporation, and released to theatres on November 28, 1931. The minimal storyline centers on the plucky Piggy's efforts to rescue his girlfriend and a doglike Uncle Tom from perilous predicaments and villains. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from syndication in 1968, making it one of the infamous Censored Eleven. It was the second Merrie Melodies film to be released.
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| - Hittin' the Trail for Hallelujah Land
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| - Hittin' the Trail for Hallelujah Land is a Merrie Melodies animated cartoon directed by Rudy Ising (uncredited), produced by Leon Schlesinger Productions, Warner Bros. Pictures and The Vitaphone Corporation, and released to theatres on November 28, 1931. The minimal storyline centers on the plucky Piggy's efforts to rescue his girlfriend and a doglike Uncle Tom from perilous predicaments and villains. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from syndication in 1968, making it one of the infamous Censored Eleven. It was the second Merrie Melodies film to be released.
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cartoon name
| - Hittin' the Trail for Hallelujah Land
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Name
| - Hittin' the Trail for Hallelujah Land
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Caption
| - Uncle Tom is terrorized by skeletons in a scene reminiscent of Walt Disney's 1929 film The Skeleton Dance.
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Title
| - Hittin' the Trail for Hallelujah Land
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ID
| - 21964(xsd:integer)
- MerrieMelodies-HittinTheTrailForHallelujahLand
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abstract
| - Hittin' the Trail for Hallelujah Land is a Merrie Melodies animated cartoon directed by Rudy Ising (uncredited), produced by Leon Schlesinger Productions, Warner Bros. Pictures and The Vitaphone Corporation, and released to theatres on November 28, 1931. The minimal storyline centers on the plucky Piggy's efforts to rescue his girlfriend and a doglike Uncle Tom from perilous predicaments and villains. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from syndication in 1968, making it one of the infamous Censored Eleven. It was the second Merrie Melodies film to be released.
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