About: The Love Robots   Sponge Permalink

An Entity of Type : dbkwik:resource/cLdc_izgvd0hqPjCMhnpUg==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The Love Robots or White Man-Made Beauty or White Artificial Lady (白の人造美女 Shiro no jinzō bijo) is a Pink film produced and directed by Kōji Wakamatsu and written by Masao Adachi. The film's poster and press release claim that it was the first "eroduction" (the contemporary name for the Pink film genre) released in the United States. Jasper Sharp writes that this was one of Wakamatsu's films more typically tailored to the sex-film market, and was designed to earn money to finance his more ambitious and experimental, though less financially-successful projects.

AttributesValues
rdf:type
rdfs:label
  • The Love Robots
rdfs:comment
  • The Love Robots or White Man-Made Beauty or White Artificial Lady (白の人造美女 Shiro no jinzō bijo) is a Pink film produced and directed by Kōji Wakamatsu and written by Masao Adachi. The film's poster and press release claim that it was the first "eroduction" (the contemporary name for the Pink film genre) released in the United States. Jasper Sharp writes that this was one of Wakamatsu's films more typically tailored to the sex-film market, and was designed to earn money to finance his more ambitious and experimental, though less financially-successful projects.
dcterms:subject
jmdb url
Runtime
  • 4320.0
Producer
  • Kōji Wakamatsu
Name
  • The Love Robots
Caption
  • Theatrical poster to the U.S. release of The Love Robots
Cinematography
dbkwik:eiga/proper...iPageUsesTemplate
IMDB ID
  • 171493(xsd:integer)
Distributor
Released
  • July, 1966
Writer
Director
abstract
  • The Love Robots or White Man-Made Beauty or White Artificial Lady (白の人造美女 Shiro no jinzō bijo) is a Pink film produced and directed by Kōji Wakamatsu and written by Masao Adachi. The film's poster and press release claim that it was the first "eroduction" (the contemporary name for the Pink film genre) released in the United States. Jasper Sharp writes that this was one of Wakamatsu's films more typically tailored to the sex-film market, and was designed to earn money to finance his more ambitious and experimental, though less financially-successful projects.
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