About: The Six Million Dollar Man (Look-in strips)   Sponge Permalink

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Like many British comics, Look-in was a mixture of monochromatic and color pages, with the color pages being assigned to the more "prestigious" strips. The Six Million Dollar Man enjoyed color treatment for the bulk of its run. The strip also had unusual stability in its creative team. Every story was written by Angus P. Allen and drawn by Martin Asbury. The strip featured the television characters of Steve and Oscar, but was disinclined to include Rudy in its short segments. They also re-introduced the OSO as the organization for which Steve and Oscar worked.

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  • The Six Million Dollar Man (Look-in strips)
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  • Like many British comics, Look-in was a mixture of monochromatic and color pages, with the color pages being assigned to the more "prestigious" strips. The Six Million Dollar Man enjoyed color treatment for the bulk of its run. The strip also had unusual stability in its creative team. Every story was written by Angus P. Allen and drawn by Martin Asbury. The strip featured the television characters of Steve and Oscar, but was disinclined to include Rudy in its short segments. They also re-introduced the OSO as the organization for which Steve and Oscar worked.
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abstract
  • Like many British comics, Look-in was a mixture of monochromatic and color pages, with the color pages being assigned to the more "prestigious" strips. The Six Million Dollar Man enjoyed color treatment for the bulk of its run. The strip also had unusual stability in its creative team. Every story was written by Angus P. Allen and drawn by Martin Asbury. The strip featured the television characters of Steve and Oscar, but was disinclined to include Rudy in its short segments. They also re-introduced the OSO as the organization for which Steve and Oscar worked. As was the norm in British comics of the era, stories would stretch over the course of several months, with only between 2 and 4 pages an issue devoted to any one property. Thus, while The Six Million Dollar Man's run was impressive against other strips carried by the magazine, the total amount of comic material generated by Look-in was roughly on a par with the total output of the short-lived Charlton comic book and magazine combined. The week after The Bionic Woman ended in May 1979, Steve Austin returned alongside Jaime Sommers for a six-month stint in a crossover strip called Bionic Action.
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