Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw. Early issues of Weirdo reflect Crumb's interests at the time – outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis (Stickboy) Worden. Weirdo's final issue, #28, an internationally themed 68-page giant titled Verre D'eau (in French, "glass of water"), was published in 1993.