Franco Dragone returned, albeit reluctantly. He was willing to return only if he had full creative control of the show's environment. One of the first things that he did was to remove the curtain that separates the artist from the audience. His reasoning was that this would make the artists and the audience both feel part of a larger show. Whereas in a traditional circus the artist could go past the curtain and drop his role, Dragone had created an environment where the artist had to remain in character for the full length of the production.