Breton is currently a visual effects producer and supervisor at 20th Century Fox. Among the films she has worked on for the studio are True Lies (1994), Solaris (2002), and Master and Commander: The Far Side of the World (2003). For the latter project, Fox brought Breton in when it was found that more visual effects would be needed, and Breton called on Industrial Light & Magic for help. [1] She went on to receive a nomination from the Visual Effects Society (VES) Award for Outstanding Supporting Visual Effects in a Motion Picture for her work on Master and Commander, which she shared with Star Trek matte artist Robert Stromberg and two others.