This HTML5 document contains 34 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Subject Item

n2:

rdfs:label

Stock Footage Stock footage

rdfs:comment

A shot or series of shots that are frequently reused in a show. Copies of this footage are kept on hand and spliced into a show as needed. Almost every show has some degree of Stock Footage involved -- establishing shots are the most common of these, along with their kin the Aspect Montage. Some shows, though, rely on it to an extensive degree, and some -- like "Magical Girl" anime -- have made its use into an artform. Not a well-liked artform, but an artform nonetheless. Not to be confused with the AATAFOVS episode Stock Footage. Compare Limited Animation. Examples of Stock Footage include: Stock footage is Stock footage refers to a sequence in film or television that can be frequently re-used, occasionally in multiple different productions. It is commonly used in animation to save the time and expense of having to re-draw sequences that are more or less assured to take place in every single episode.

owl:sameAs

dbr:Stock_footage

dcterms:subject

n5: n10: n13: n16: n17: n19: n20: n23: n27: n28: n31: n32: n36:

n6:wikiPageUsesTemplate

n7: n25: n26: n29: n34:

n8:wikiPageUsesTemplate

n9: n24: n30: n33: n35:

n14:wikiPageUsesTemplate

n15:

n11:wikiPageUsesTemplate

n12:

n18:abstract

A shot or series of shots that are frequently reused in a show. Copies of this footage are kept on hand and spliced into a show as needed. Almost every show has some degree of Stock Footage involved -- establishing shots are the most common of these, along with their kin the Aspect Montage. Some shows, though, rely on it to an extensive degree, and some -- like "Magical Girl" anime -- have made its use into an artform. Not a well-liked artform, but an artform nonetheless. Stock Footage is used mainly because it is inexpensive -- filmed once and used multiple times, it makes for a great return on your investment, as long as you don't care whether or not your audience gets tired of the sequence(s) you recycle. Sometimes, Stock Footage is used which was not originally shot for the show in which it is used. This appears most often for military footage, when the producers don't have the budget to shoot a convincing battle scene and aren't Backed by the Pentagon. In such cases, the quality of the Stock Footage can be substantially different (and several decades older), making for an especially jarring effect. With digital compositing and other effects, one can stretch the stock footage further. A single effects shot can be overlaid into many scenes. In animation, data is often stored in layers, either as original animation cels or digital files, allowing character animation to be re-used on new backgrounds, sometimes reversed. Occasionally, stock footage from other sources is used in cartoons for comedic effect; a series of stock footage clips are shown, each one more absurd than the last. Not to be confused with the AATAFOVS episode Stock Footage. Compare Limited Animation. Examples of Stock Footage include: Stock footage is Stock footage refers to a sequence in film or television that can be frequently re-used, occasionally in multiple different productions. It is commonly used in animation to save the time and expense of having to re-draw sequences that are more or less assured to take place in every single episode. In the context of Transformers, it applies to most of Japanese-made anime series: The Headmasters, Masterforce, Victory, Beast Wars II, Beast Wars Neo, Robots in Disguise, and the Unicron Trilogy shows. All of those series would almost ritualistically showcase the same clips of characters transforming, combining, or deploying unique weapons. These sequences often seemingly transport the characters to a setting different from the actual events of that part of the episode, as the entire standard background fades away and is replaced by streaking speedlines and flashes of color, so they can be used no matter where the characters actually are in the script. Stock footage sequences typically have more detail, higher frame rates, and more exaggerated, prolonged posturing movements than the standard storytelling animation surrounding them. Supposedly, this is the method in which Japanese marketing has decided a toy's gimmicks are best "highlighted" in these advertoons. The dub for Transformers Cybertron often poked fun at the practice, having characters narrate their filler stock-footage in ways that implied boredom or curiosity ("Why do we always go this way?"), or simply filled excessively-long sequences with snappy patter among the characters involved. Of course, Cybertron was particularly egregious in its dependence on using stock footage to fill time like the visual equivalent of styrofoam peanuts. This practice is different from the stock animations used in the CGI-animated Beast Wars show, which often used "standard" sets of model movements for the characters' transformations from beast to robot mode to save the animators' time. However, these animations were not stock footage; each sequence had to be rendered out normally as any other each time they occurred, using different camera angles with the characters in the same scenery as they were before and after they transformed. Also, it stands perfectly well to reason that the various characters would transform the same way each time. In the Transformers Animated series, most characters have stock footage for their transformation sequences, but so far they have usually only been used once apiece, with nearly all transformations portrayed in "standard" animation. The series' opening credits shows a great deal of stock footage that has rarely, or never, appeared in the actual cartoon. The original Generation One cartoon was not immune from the use of stock footage, however its use was more limited and was generally used in a similar manner to Beast Wars, with pre-canned transformations employed over different backgrounds depending on the situation, without any cutscenes. Not surprisingly, the most notable of these is a transformation sequence for Optimus Prime which was used in both directions (truck to robot, and robot to truck), however others can be found, primarily throughout season 1, due to the smaller cast.