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Prefix	Namespace IRI
n7	http://dbkwik.webdatacommons.org/ontology/
dcterms	http://purl.org/dc/terms/
n8	http://dbkwik.webdatacommons.org/resource/m6nYcwkM39VZipscSMdHkw==
rdfs	http://www.w3.org/2000/01/rdf-schema#
n4	http://dbkwik.webdatacommons.org/resource/hjGkiX_vj4UqjeCxYZLkGw==
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n2	http://dbkwik.webdatacommons.org/resource/5nshtc_7f0AEvtfnCQTwUw==
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xsdh	http://www.w3.org/2001/XMLSchema#
n9	http://dbkwik.webdatacommons.org/resource/C0nbIId6nw1yqwLZpig9CA==

Subject Item: n2:
rdfs:label: Museum of Aural Antiquities
rdfs:comment: The Museum of Aural Antiquities was an institution that collected and stored audio documents. Gantman was its curator. Visteen Krane recorded his work there, and it was while preparing to record his last speech that he was shot and killed, but not before becoming a creature of pure sound. (AUDIO: Whispers of Terror)
dcterms:subject: n4: n5:
n7:abstract: The Museum of Aural Antiquities was an institution that collected and stored audio documents. Gantman was its curator. Visteen Krane recorded his work there, and it was while preparing to record his last speech that he was shot and killed, but not before becoming a creature of pure sound. (AUDIO: Whispers of Terror)