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Panis Angelicus Panis Angelicus
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Panis angelicus is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the Feast of Corpus Christi as part of a complete liturgy of the Feast including prayers for the Mass and the Liturgy of the Hours. [[Afbeelding:Custódia IV Congresso Eucarístico Nacional.jpg|thumb|right|Een monstrans: O res mirabilis!]] Panis Angelicus (Nederlands: Brood van de Engelen) is de - vaak zelfstandig gezongen - voorlaatste strofe van de hymne Sacris Solemniis, die in 1264, ter gelegenheid van de invoering van Sacramentsdag op last van paus Urbanus IV werd geschreven door Thomas van Aquino voor de Metten van deze feestdag. Andere gezangen voor het proprium van Sacramentsdag zijn: Lauda Sion, Pange lingua, Adoro te devote en Verbum supernum prodiens.
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Panis angelicus is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the Feast of Corpus Christi as part of a complete liturgy of the Feast including prayers for the Mass and the Liturgy of the Hours. The strophe of Sacris solemniis that begins with the words "Panis angelicus" (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor, organ, harp, cello, and double bass; later arranging it for tenor, chorus, and orchestra, he incorporated it into his Messe solennelle Opus 12. The phenomenon whereby the strophe of Sacris solemniis that begins with the words "Panis angelicus" is often treated as a separate hymn has occurred also with other hymns that Thomas Aquinas wrote for Corpus Christi: Verbum supernum prodiens (the last two strophes begin with "O salutaris Hostia") and Pange lingua gloriosi (the last two strophes begin with "Tantum ergo", in which case the word ergo ["therefore"] makes evident that this part is the continuation of a longer hymn). [[Afbeelding:Custódia IV Congresso Eucarístico Nacional.jpg|thumb|right|Een monstrans: O res mirabilis!]] Panis Angelicus (Nederlands: Brood van de Engelen) is de - vaak zelfstandig gezongen - voorlaatste strofe van de hymne Sacris Solemniis, die in 1264, ter gelegenheid van de invoering van Sacramentsdag op last van paus Urbanus IV werd geschreven door Thomas van Aquino voor de Metten van deze feestdag. Andere gezangen voor het proprium van Sacramentsdag zijn: Lauda Sion, Pange lingua, Adoro te devote en Verbum supernum prodiens. De hymne is veelvuldig op muziek gezet, en wordt onder andere ook vaak ten gehore gebracht tijdens de eucharistische aanbidding. Veruit de bekendste compositie van Panis Angelicus is van César Franck uit 1872, voor tenor, orgel, harp en cello. Vaak bedoelt men zelfs enkel deze compositie, wanneer men de titel noemt. De versie van César Franck is een evergreen geworden, die op het repertoir stond van Luciano Pavarotti, Plácido Domingo, Andrea Bocelli en Roberto Alagna.