This HTML5 document contains 9 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

PrefixNamespace IRI
n4http://dbkwik.webdatacommons.org/resource/LlX2facnejrMRdDNudzynA==
dctermshttp://purl.org/dc/terms/
n10http://dbkwik.webdatacommons.org/ontology/
n2http://dbkwik.webdatacommons.org/resource/O0Gj9b1MMrB04KD58eTSKw==
n6http://dbkwik.webdatacommons.org/resource/DyEWk5AmczWCwUZE5Cfk_g==
rdfshttp://www.w3.org/2000/01/rdf-schema#
n7http://dbkwik.webdatacommons.org/resource/pSVONAf4bXkJfBMDz9yLtA==
n13http://dbkwik.webdatacommons.org/resource/Uv8PXch7mGew7gJ6COStIg==
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n9http://dbkwik.webdatacommons.org/resource/3nkcGmJJDyfFfCJQcQB2Qw==
owlhttp://www.w3.org/2002/07/owl#
n3http://dbkwik.webdatacommons.org/ultimatepopculture/property/
xsdhhttp://www.w3.org/2001/XMLSchema#
dbrhttp://dbpedia.org/resource/
Subject Item
n2:
rdfs:label
Fictional brand
rdfs:comment
A fictional brand is a non-existing brand used in artistic or entertainment productions – paintings, books, comics, movies, TV serials, etc. The fictional brand may be designed to imitate a real corporate brand, satirize a real corporate brand, or differentiate itself from real corporate brands. Such a device may be required where real corporations are unwilling to license their brand names for use in the fictional work, particularly where the work holds the product in a negative light. More recently, Muzellec, Lynn and Lambkin have shown that fictional brands may be used for commercial purposes through the process of reverse product placement. Their paper considers the case of Duff Beer and Bertie Bott’s Every Flavour Beans and reveals that consumers'attachment to those brands in the fict
owl:sameAs
dbr:Fictional_brand
dcterms:subject
n9: n13:
n3:wikiPageUsesTemplate
n4: n6: n7:
n10:abstract
A fictional brand is a non-existing brand used in artistic or entertainment productions – paintings, books, comics, movies, TV serials, etc. The fictional brand may be designed to imitate a real corporate brand, satirize a real corporate brand, or differentiate itself from real corporate brands. Such a device may be required where real corporations are unwilling to license their brand names for use in the fictional work, particularly where the work holds the product in a negative light. More recently, Muzellec, Lynn and Lambkin have shown that fictional brands may be used for commercial purposes through the process of reverse product placement. Their paper considers the case of Duff Beer and Bertie Bott’s Every Flavour Beans and reveals that consumers'attachment to those brands in the fictional world may be leveraged through “defictionalisation” or “productisation” in the real world. Muzellec, Lynn and Lambkin suggest the fictional brands represent brand potential rather than brand reality; they are in effect, “protobrands”. They propose that “protobrands” can be leveraged and transformed into registered trademarks which can derive revenue for their owners through reverse product placement or, more accurately, reverse brand placement. Some fictional brands have crossed over from the fictional world in which they initially reside to become real products. These includes Harry Potter’s Bertie Botts’ Every Flavour Beans, now available as real candy manufactured by the Jelly Belly Company and Duff, a beer brand now available for consumption in Europe which initially appeared in the “The Simpsons”. The trend seems to be on the increasing as in 2012, some prominent fictional brands have come to life as real products: Staples Inc. has now started selling its own product of manufactured paper under the "Dunder Mifflin" name under license from NBC's parent company, Comcast. Dunder Mifflin is the paper company of the famous TV show The Office. Dunder Mifflin paper is now available on Staples' website Quill.com.