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right|Logo Industrial Light & Magic Industrial Light & Magic, nebo zkráceně ILM, je společnost zaměřená na produkci speciálních filmových efektů. Když se v 70. letech 20. století George Lucas připravoval na natáčení prvního (resp. čtvrtého) dílu Hvězdných válek, zjistil, že neexistuje triková společnost, která by uspokojila představy o filmových efektech v jeho filmech. Proto v květnu 1975 založil ILM, nyní vlastněnou společností Lucasfilm Ltd. Nově vzniklá společnost původně sídlila ve Van Nuys v Kalifornii, později se přestěhovala do San Rafael (taktéž v Kalifornii) a nyní se nachází v Letterman Digital Arts Center u San Francisca. Kromě již zmíněných Hvězdných válek se ILM zabývala výrobou triků pro následující startrekovské filmy: right Industrial Light & Magic, o ILM, es una compañía de efectos visuals fundada por George Lucas en 1975, como una parte de Lucasfilm Ltd.. La compañía es responsible de muchos de los efectos visuales en las películas de Star Wars y tambíen de los efectos de otras más de 200 películas, como son Jurassic Park, Back to the Future, Harry Potter, e Indiana Jones Industrial Light & Magic thumb|Das ILM-Firmenlogo Industrial Light & Magic (kurz ILM) ist eine von George Lucas 1975 gegründete Firma für Spezialeffekte, die er ursprünglich nur für die Realisierung der Tricktechnik in Star Wars gründete. Industrial Light & Magic (ILM), to firma będąca częścią Lucasfilm Ltd. ILM specjalizuje się w tworzeniu filmowych wizualnych efektów specjalnych. Industrial Light & Magic (ILM) is the visual effects division of Lucasfilm Ltd. The company worked on all four theatrical Indiana Jones motion pictures as well as The Young Indiana Jones Chronicles television series. → This article is a stub. You can help us by adding to it. Check out the talk page for hints on what needs to be done. Industrial Light & Magic (eller bare ILM) er et firma der laver visuelle special effects til film. ILM blev stiftet i juli 1975 af George Lucas og ejes af Lucasfilm. Lucas ønskede at den (på den tid) kommende Star Wars-film skulle have special effects der aldrig var set før. Først spurgte Lucas Douglas Trumbull, der bl.a. var kendt for 2001: A Space Odyssey, der dog afslog, men forslog i stedet hans assistent John Dykstra. Dykstra samlede et lille hold af studerende, kunstnere og ingeniører, der blev til Special Visual Effects-afdelingen på Star Wars. Sammen med Dykstra blev det oprindelige ILM-hold også anført af Dennis Muren, Richard Edlund, Joe Johnston og Phil Tippett. Ils sont bien sûr responsables des effets spéciaux de toute la saga Star Wars, mais sont demandés pour beaucoup d'autres réalisations : ils ont déjà participé à 200 films, telles que les sagas Jurassic Park, Retour vers le Futur, Harry Potter et Indiana Jones. Industrial Light and Magic (ILM) is an Academy Award-winning motion picture visual effects company that was founded in May 1975 by George Lucas and is owned by Lucasfilm. Lucas created the company when he discovered that the special effects department at 20th Century Fox was shut down after he was given the green light for his production of the movie Star Wars. The studio originated in Van Nuys, California, later moved to San Rafael, and is now based at the Letterman Digital Arts Center in the Presidio of San Francisco. Industrial Light & Magic (ILM) is a motion picture visual effects company, founded in 1975 by George Lucas and owned by Lucasfilm. The studio provided matte paintings for The Dark Crystal. Industrial Light & Magic (ILM) is an American Academy Award-winning motion picture visual effects company that was founded in May 1975 by George Lucas. It is a division of the film production company, Lucasfilm, which Lucas founded, and was created when Lucas began production of the film Star Wars. ILM originated in Van Nuys, California, then later moved to San Rafael in 1978, and since 2005 it has been based at the Letterman Digital Arts Center in the Presidio of San Francisco. Lynwen Brennan, who joined the company in 1999, currently serves as ILM's President and General Manager. In 2012, The Walt Disney Company acquired ILM as part of its purchase of Lucasfilm. They were poked fun at in the classic MST3K episode Space Mutiny by being referred to as "Industrial Light & Morons!" Industrial Light & Magic is a movie special effects studio founded by Star Wars writer/director George Lucas in May of 1975, and is currently owned by Lucas's main motion picture studio, Lucasfilm. The company is known for its outstanding work in many motion pictures, including the first computer-generated imagery animation in a feature length film, the first movie shot entirely on digital cameras, and for the development of the Pixar computer system (before they separated and were eventually bought out). The San Francisco-based company has participated in the production of over 200 movies in the past 32 years. <default>Industrial Light & Magic</default> Type Founded Headquarters Founder(s) Defunct Key people Industry Products Parent Area served Website Industrial Light & Magic (ILM) is an Academy Award-winning motion picture visual effects company that was founded in May 1975 by George Lucas. It is a subsidiary of his film production company, Lucasfilm, and was created when Lucas began production of the film Star Wars. Industrial Light & Magic (or ILM) is a motion picture visual effects company founded by George Lucas in 1975. ILM created visual effects for most of the Star Trek films, and for Star Trek: The Next Generation. They are also created with several images from the Ships of the Line calendars and the Ships of the Line book. Industrial Light & Magic или ILM — компания по производству визуальных эффектов, ответственная за большую часть визуальных эффектов в фильмах саги «Звёздные войны». Она была основана Джорджем Лукасом в 1975 году, как часть компании Lucasfilm Limited. Компания занималась разработкой эффектов более чем к 200-м других фильмов, в числе которых: серия «Парк юрского периода», трилогия «Назад в будущее», фильмы о Гарри Поттере, франшиза «Индиана Джонс», фильм 2009 года «Звёздный путь» и картина 2011 года «Супер 8». Industrial Light & Magic (ou ILM) est une compagnie d'effet spéciaux. ILM fut fondée par George Lucas {w} afin de créer les effets spéciaux de son film Star Wars et devint rapidement une des compagnies d'effets spéciaux les plus prolifiques. ILM started its longtime association with Star Trek in 1981 when the company was contracted for the VFX for Star Trek II: The Wrath of Khan. This came about as Paramount Pictures, the owner and producer of the Star Trek productions, became the production partner of Lucasfilm for the inception of the 1981 Raiders of the Lost Ark movie, the first outing of what was to become the successful Indiana Jones franchise. Paramount awarded ILM the Star Trek commission in order to cement the new relationship with Lucasfilm. For this Paramount was willing to sacrifice its own subsidiary effects house Future General Corporation (FGC), which had successfully provided the effects for the previous Star Trek movie, Star Trek: The Motion Picture. According to its former operator, Douglas Trumbull, FGC had a Industrial Light & Magic (abbreviated ILM) is a motion picture special effects company, a division of Lucasfilm. ILM was created in 1975 by George Lucas; the company's first film was Star Wars in 1977. ILM, along with WETA Digital, produced the special effects for Eragon. Prominent personalities who have worked for ILM include John Lasseter (the director of Toy Story) and director Joe Johnston. To put a crew of skeletons onboard a pirate ship for the box office blockbuster Pirates of the Caribbean: The Curse of the Black Pearl, ILM first filmed actors hoisting sails, hauling lines and standing at the helm of a set piece built on a barge. Then, they had the actors duplicate their performances on a motion capture stage. Data captured from those performances drove the motion of the CG skeletons. To create the final, convincing performances, animators refined the motion-captured animation to match the reference shots of the actors on set. Meanwhile, the technical crew devised new methods for simulating the layers of ragged clothing worn by the skeletal pirates. Modelers extended that set by gluing on digital parts from stem to stern, technical directors rigged the ships with digital ILM of Industrial Light & Magic is het special effects bedrijf dat George Lucas oprichtte in 1975 om A New Hope te kunnen maken. ILM maakt nog steeds deel uit van Lucasfilm Ltd. en is gevestigd in het Letterman Digital Arts Center in San Francisco. ILM staat bekend voor het baanbrekende werk dat ze hebben geleverd in de voorbije dertig jaar. Tot 2006 haalde ILM 16 Best Visual Effects Oscars en 20 nominations. ILM ontving eveneens 22 technical Oscars. Industrial Light & Magic (ILM) is an award-winning visual effects company based in San Francisco, California. It was founded by George Lucas in May 1975 as a division of Lucasfilm, Ltd. ILM was responsible for the visual effects in Back to the Future (1985), Back to the Future Part II (1989), and Back to the Future Part III (1990).

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To put a crew of skeletons onboard a pirate ship for the box office blockbuster Pirates of the Caribbean: The Curse of the Black Pearl, ILM first filmed actors hoisting sails, hauling lines and standing at the helm of a set piece built on a barge. Then, they had the actors duplicate their performances on a motion capture stage. Data captured from those performances drove the motion of the CG skeletons. To create the final, convincing performances, animators refined the motion-captured animation to match the reference shots of the actors on set. Meanwhile, the technical crew devised new methods for simulating the layers of ragged clothing worn by the skeletal pirates. Modelers extended that set by gluing on digital parts from stem to stern, technical directors rigged the ships with digital sails, and the pirates set sail in digital water. Although the two-step method for replicating the actors' performances with CG skeletons was successful, ILM's determination to simplify the process led to revolutionary new tools introduced for Davy Jones in the sequel. thumb|Das ILM-Firmenlogo Industrial Light & Magic (kurz ILM) ist eine von George Lucas 1975 gegründete Firma für Spezialeffekte, die er ursprünglich nur für die Realisierung der Tricktechnik in Star Wars gründete. right|Logo Industrial Light & Magic Industrial Light & Magic, nebo zkráceně ILM, je společnost zaměřená na produkci speciálních filmových efektů. Když se v 70. letech 20. století George Lucas připravoval na natáčení prvního (resp. čtvrtého) dílu Hvězdných válek, zjistil, že neexistuje triková společnost, která by uspokojila představy o filmových efektech v jeho filmech. Proto v květnu 1975 založil ILM, nyní vlastněnou společností Lucasfilm Ltd. Nově vzniklá společnost původně sídlila ve Van Nuys v Kalifornii, později se přestěhovala do San Rafael (taktéž v Kalifornii) a nyní se nachází v Letterman Digital Arts Center u San Francisca. Kromě již zmíněných Hvězdných válek se ILM zabývala výrobou triků pro následující startrekovské filmy: * Star Trek II: The Wrath of Khan * Star Trek III: The Search for Spock * Star Trek IV: The Voyage Home (některé záběry byly znovu použity ve Star Trek V: The Final Frontier) * TNG: "Encounter at Farpoint" (záběry znovu použity v některých dílech seriálu) * Star Trek VI: The Undiscovered Country * Star Trek Generations * Star Trek: First Contact Mimo těchto děl se společnost podílela na více než dvou stovkách dalších filmů, jako jsou například trilogie Indiana Jones, Jurský park, Návrat do budoucnosti, Mumie, Piráti z Karibiku: Truhla mrtvého muže, Propast, Maska, Jumanji nebo Hulk. right Industrial Light & Magic, o ILM, es una compañía de efectos visuals fundada por George Lucas en 1975, como una parte de Lucasfilm Ltd.. La compañía es responsible de muchos de los efectos visuales en las películas de Star Wars y tambíen de los efectos de otras más de 200 películas, como son Jurassic Park, Back to the Future, Harry Potter, e Indiana Jones Industrial Light & Magic ILM started its longtime association with Star Trek in 1981 when the company was contracted for the VFX for Star Trek II: The Wrath of Khan. This came about as Paramount Pictures, the owner and producer of the Star Trek productions, became the production partner of Lucasfilm for the inception of the 1981 Raiders of the Lost Ark movie, the first outing of what was to become the successful Indiana Jones franchise. Paramount awarded ILM the Star Trek commission in order to cement the new relationship with Lucasfilm. For this Paramount was willing to sacrifice its own subsidiary effects house Future General Corporation (FGC), which had successfully provided the effects for the previous Star Trek movie, Star Trek: The Motion Picture. According to its former operator, Douglas Trumbull, FGC had actually underbid ILM by US$1.5 million for the commission to no avail, as the studio claimed that they wanted to cement the relationship with ILM, with FGC subsequently phased out of existence. (Cinefantastique, Vol 12 #5/6, p. 65) An efficient and reliable company, ILM's contributions for the three subsequent Star Trek films went off without any noticeable hitches, generally on time and on budget, much to the delight of Paramount, and a far cry from what the studio had to go through with Robert Abel & Associates (before FGC's involvement) on The Motion Picture. And indeed, the producers of Star Trek V: The Final Frontier again wanted to employ the services of the company, but as its director, William Shatner clarified, "Having begun our search for magic at ILM, we were dismayed to find that most of that firm's best technicians, the A team, were already hard at work on the Steven Spielberg/Lucas collaboration Indiana Jones and the Last Crusade. At the same time, a good portion of the B team were putting together the effects for Ghostbusters II. We knew that the best ILM could offer simply wasn't their best, and for that reason, we tested the water by asking a number of companies all over Hollywood to audition for the job on Star Trek IV, fronting each of them $10,000 and asking that they do their best to create a striking and unusual image of God. We found our winner in... Hoboken, New Jersey." (Star Trek Movie Memories, 1995, pp. 298-300) A financial and critical failure, the disappointing VFX ILM's replacement, Associates and Ferren, had produced, were cited as one of the most important causes for the poor performance of The Final Frontier. [1] For the next production, Star Trek VI: The Undiscovered Country, ILM was also considered to be dropped as VFX vendor, but for entirely different reasons. A troubled production, struggling with a too tightly set production budget, the movie was facing cancellation if the producers could not come up with cost saving measures. A former "Trekkie", Producer Steven-Charles Jaffe, was so desperate to see the film come to fruition that he even went as far to suggest dropping ILM as the visual effects vendor for the movie, instead going for a cheaper company. However the Associates and Ferren visual effects debacle for the previous movie was still very much fresh on the minds of his colleagues, and no one was willing to go that far. Nevertheless, the planned 110 visual effects cuts were whittled down to just 51 to meet the tight budget. Yet, trimming down the visual effects cuts to 51 turned out to be too ambitious, as 30 of the originally jettisoned effects sequences had to be produced by ILM and inserted after all, in order to make the movie "cut" well. (Cinefantastique, Vol 22 #5, p. 35) It was now that the dedication of veteran ILM staffers to Star Trek came to the fore; While the studio had no budget from new studio models, one was actually constructed as something of a labor of love by ILM staffers John Goodson and Bill George, the SD-103-type. The script had a scene featured which both men felt needed embellishment, and so, out of their own volition, they constructed the model. (Cinefex, issue 49, p. 48) The model went on to later become the Sydney-class. It has made The Undiscovered Country the feature where the least new Star Trek starship designs were featured. George incidentally, turned out to be a stickler for detail; As he was aware that the USS Excelsior had now a new and smaller bridge set, he made the effort to replace the originally larger bridge module on the Excelsior-class filming model with a smaller one, in order to reflect the change. (American Cinematographer, January 1992, pp. 58-59) When the Star Trek television franchise was relaunched in 1986 with Star Trek: The Next Generation, Producer Robert Justman put out bids to several VFX companies for the build of two new, differently sized, USS Enterprise-D hero Galaxy-class studio models, including ILM, not really expecting them to be able to make an offer on a television budget. However, Justman lucked out, as the company tendered a bid that was below par as the company was between jobs, "What they decided was to make a bare-bones bid, enough to keep their doors open and keep everyone on that they needed. Oh, it was a tremendous bid. I couldn´t believe it was so cheap! But it was ILM, you know? The best in the business!", an overjoyed Justman exclaimed. (Star Trek: The Next Generation Companion, 2003, p. 12) As the build of the models progressed, ILM was subsequently able to secure an additional commission to shoot a library of effects sequences that consisted of 69 shots with some 300 elements. (The Official Star Trek: The Next Generation Magazine issue 2, pp. 28-29, 38-39) Having only worked on the pilot episode of the new series, "Encounter at Farpoint" , the fact that their VFX footage had been used as stock-footage throughout the entire run of the series, warranted ILM the "Industrial Light & Magic, A Division of Lucasfilm Ltd." credit in the end credit roll of all seven seasons. Bill George also contributed the Olympic-class studio model for use in the Next Generation's series finale "All Good Things..." , but this he did on personal title, not as part of ILM. Another unexpected contribution ILM made for the television franchise, occurred when key staffer John Knoll, working on the post-production of Star Trek Generations at the time, was approached for the CGI build of the Bajoran lightship, to be featured in Star Trek: Deep Space Nine's third season episode "Explorers" , which he dutifully performed, but for which neither he nor his company received any credit. Incidentally, it had been Knoll who had constructed the very first CGI version of a Star Trek "hero" ship, that of the USS Enterprise-D for use in Generations. Very shortly thereafter he, again uncredited, contributed to the renewed title sequence for Deep Space Nine, shown from "The Way of the Warrior" onward, which consisted of a combination of motion control photography and CGI elements. At the time still a time intensive production method, Knoll pitched in with the CGI work out of courtesy, "I made about half a dozen little bits and pieces [rem: work bees and the welders on the pylons] for the sequence, including a generic alien ship with blue glowy engines." (Star Trek: Deep Space Nine Companion, p. 335) While ILM has enjoyed a relative VFX monopoly during the production of the Original Crew movies, things started to change in the early 1990s with the advent of digital techniques of producing them, most conspicuously CGI. Somewhat counter-intuitively, as it were the classic methods of producing VFX that were traditionally considered labor-intensive, the exponentially progressive sophistication of the digital techniques warranted an ever growing number of specialized VFX staffers to such an extent that ILM already needed additional help from other VFX companies while they were involved with the The Next Generation movies. By the time the two alternate universe movies went into production, the size of the VFX staff had truly exploded, and ILM had become just one of several companies who were working on the VFX of Star Trek movies (even loosing its lead position to Pixomondo for Star Trek Into Darkness), or of any other motion picture production with a heavy VFX outlay for that matter. Exemplary of the growing sophistication of VFX production was that for the movies, The Search for Spock needed 42 staffers (the lowest staff outlay to date), whereas Star Trek (2009) required a staff of no less than 315 people, the vast majority of whom predominantly digital specialists. Industrial Light and Magic (ILM) is an Academy Award-winning motion picture visual effects company that was founded in May 1975 by George Lucas and is owned by Lucasfilm. Lucas created the company when he discovered that the special effects department at 20th Century Fox was shut down after he was given the green light for his production of the movie Star Wars. The studio originated in Van Nuys, California, later moved to San Rafael, and is now based at the Letterman Digital Arts Center in the Presidio of San Francisco. Industrial Light & Magic (ou ILM) est une compagnie d'effet spéciaux. ILM fut fondée par George Lucas {w} afin de créer les effets spéciaux de son film Star Wars et devint rapidement une des compagnies d'effets spéciaux les plus prolifiques. En 2005, ILM déplaça son département "effets numériques" depuis Kerner Blvd. à San Rafael, Californie, jusqu'au Presidio à San Francisco. Les départements en charge des aspects physiques des effets spéciaux d'ILM (maquettes, miniatures, effets pyrotechniques, etc.) restèrent basés à San Rafael et devinrent une compagnie indépendante, Kerner Optical. ILM conserve cependant un accord non-exclusif avec Kerner Optical qui permet aux deux compagnies de travailler ensemble sur certains projets, comme "Star Trek (film 2009)". [1] Industrial Light & Magic is a movie special effects studio founded by Star Wars writer/director George Lucas in May of 1975, and is currently owned by Lucas's main motion picture studio, Lucasfilm. The company is known for its outstanding work in many motion pictures, including the first computer-generated imagery animation in a feature length film, the first movie shot entirely on digital cameras, and for the development of the Pixar computer system (before they separated and were eventually bought out). The San Francisco-based company has participated in the production of over 200 movies in the past 32 years. ILM is responsible for the majority of the CGI in the first live-action Transformers movie, and are serving in the same capacity for the sequel, Transformers: Revenge of the Fallen. Despite winning several awards from the Visual Effects Society for Transformers and seemingly being a shoe-in for the 2008 Oscar for "Best Visual Effects", ILM actually lost (to the shock of the visual effects industry and the assembled movie makers) to a goddamn polar bear, no less. * Scott Farrar - Visual effects supervisor * Jeff Mann -Production designer * Alex Jaeger - Art director * Scott Benza - Animation supervisor * Dan Taylor - Animation supervisor * Keiji Yamaguchi - Technical animator * Charles Alleneck - Animator Industrial Light & Magic (or ILM) is a motion picture visual effects company founded by George Lucas in 1975. ILM created visual effects for most of the Star Trek films, and for Star Trek: The Next Generation. They are also created with several images from the Ships of the Line calendars and the Ships of the Line book. Industrial Light & Magic (eller bare ILM) er et firma der laver visuelle special effects til film. ILM blev stiftet i juli 1975 af George Lucas og ejes af Lucasfilm. Lucas ønskede at den (på den tid) kommende Star Wars-film skulle have special effects der aldrig var set før. Først spurgte Lucas Douglas Trumbull, der bl.a. var kendt for 2001: A Space Odyssey, der dog afslog, men forslog i stedet hans assistent John Dykstra. Dykstra samlede et lille hold af studerende, kunstnere og ingeniører, der blev til Special Visual Effects-afdelingen på Star Wars. Sammen med Dykstra blev det oprindelige ILM-hold også anført af Dennis Muren, Richard Edlund, Joe Johnston og Phil Tippett. Siden hen har holdet arbejdet med mere end to hundrede film, herunder * Star Trek* Harry Potter* Jurassic Park* Indiana Jones* Schindlers liste ILM iværksatte deres computergenerede billeder og animationer, da de hyrede Ed Catmull i 1979. I de tidlige 80'ere arbejde John Lasseter som computeranimatør. I året 2003 har ILM modtaget 14 Best Visual Effects-Oscars og været yderligere nomineret til 19. ILM har også fået 22 tekniske Oscars. Industrial Light & Magic (ILM) is the visual effects division of Lucasfilm Ltd. The company worked on all four theatrical Indiana Jones motion pictures as well as The Young Indiana Jones Chronicles television series. → This article is a stub. You can help us by adding to it. Check out the talk page for hints on what needs to be done. <default>Industrial Light & Magic</default> Type Founded Headquarters Founder(s) Defunct Key people Industry Products Parent Area served Website Industrial Light & Magic (ILM) is an Academy Award-winning motion picture visual effects company that was founded in May 1975 by George Lucas. It is a subsidiary of his film production company, Lucasfilm, and was created when Lucas began production of the film Star Wars. ILM originated in Van Nuys, California, then later moved to San Rafael in 1978, and since 2005 it has been based at the Letterman Digital Arts Center in the Presidio of San Francisco. Lynwen Brennan, who joined the company in 1999, currently serves as ILM's President and General Manager. Industrial Light & Magic (abbreviated ILM) is a motion picture special effects company, a division of Lucasfilm. ILM was created in 1975 by George Lucas; the company's first film was Star Wars in 1977. ILM, along with WETA Digital, produced the special effects for Eragon. Prominent personalities who have worked for ILM include John Lasseter (the director of Toy Story) and director Joe Johnston. Industrial Light & Magic или ILM — компания по производству визуальных эффектов, ответственная за большую часть визуальных эффектов в фильмах саги «Звёздные войны». Она была основана Джорджем Лукасом в 1975 году, как часть компании Lucasfilm Limited. Компания занималась разработкой эффектов более чем к 200-м других фильмов, в числе которых: серия «Парк юрского периода», трилогия «Назад в будущее», фильмы о Гарри Поттере, франшиза «Индиана Джонс», фильм 2009 года «Звёздный путь» и картина 2011 года «Супер 8». Industrial Light & Magic (ILM), to firma będąca częścią Lucasfilm Ltd. ILM specjalizuje się w tworzeniu filmowych wizualnych efektów specjalnych. Industrial Light & Magic (ILM) is an American Academy Award-winning motion picture visual effects company that was founded in May 1975 by George Lucas. It is a division of the film production company, Lucasfilm, which Lucas founded, and was created when Lucas began production of the film Star Wars. ILM originated in Van Nuys, California, then later moved to San Rafael in 1978, and since 2005 it has been based at the Letterman Digital Arts Center in the Presidio of San Francisco. Lynwen Brennan, who joined the company in 1999, currently serves as ILM's President and General Manager. In 2012, The Walt Disney Company acquired ILM as part of its purchase of Lucasfilm. They were poked fun at in the classic MST3K episode Space Mutiny by being referred to as "Industrial Light & Morons!" ILM of Industrial Light & Magic is het special effects bedrijf dat George Lucas oprichtte in 1975 om A New Hope te kunnen maken. ILM maakt nog steeds deel uit van Lucasfilm Ltd. en is gevestigd in het Letterman Digital Arts Center in San Francisco. ILM staat bekend voor het baanbrekende werk dat ze hebben geleverd in de voorbije dertig jaar. Tot 2006 haalde ILM 16 Best Visual Effects Oscars en 20 nominations. ILM ontving eveneens 22 technical Oscars. ILM verzorgde de effecten voor talloze films als 'Indiana Jones', 'Jurassic Park', 'Terminator 2', 'The Abyss', 'Harry Potter', 'Pirates of the Caribbean', 'Forrest Gump', 'Back to the Future', 'Saving Private Ryan', 'The Mummy', enz ... Industrial Light & Magic (ILM) is an award-winning visual effects company based in San Francisco, California. It was founded by George Lucas in May 1975 as a division of Lucasfilm, Ltd. ILM was responsible for the visual effects in Back to the Future (1985), Back to the Future Part II (1989), and Back to the Future Part III (1990). Industrial Light & Magic (ILM) is a motion picture visual effects company, founded in 1975 by George Lucas and owned by Lucasfilm. The studio provided matte paintings for The Dark Crystal. Ils sont bien sûr responsables des effets spéciaux de toute la saga Star Wars, mais sont demandés pour beaucoup d'autres réalisations : ils ont déjà participé à 200 films, telles que les sagas Jurassic Park, Retour vers le Futur, Harry Potter et Indiana Jones.

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