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With A Little Help From My Friends (song)

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Lennon and McCartney finished writing this song in mid-March 1967, written specifically as Starr's track for the album. It was briefly called "Bad Finger Boogie" (later the inspiration for the band name Badfinger), supposedly because Lennon composed the melody on a piano using his middle finger after having hurt his forefinger; but in his 1980 Playboy interview Lennon said: "This is Paul, with a little help from me. 'What do you see when you turn out the light/ I can't tell you, but I know it's mine...' is mine." Lennon also attributed most of the song to McCartney in his 1972 Hit Parader interview: "Paul. It was Paul's idea. I think I helped with some of the words. In fact, I did. Hunter Davies was there when we did it and mentioned it in the book. 'What do you see when you turn out the l

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"Sweet Surrender" "The Sun Has Come Your Way" "Delta Lady"

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311.0 164.0

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"She's Leaving Home" Something's Coming On

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"Temptation"

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With a Little Help from My Friends

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"With a Little Help from My Friends"

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"Those Were the Days" by Mary Hopkin "Perfect" by Fairground Attraction "Take Me to the Clouds Above" by LMC vs U2

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--11-06 --02-15 --05-15

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"The Good, the Bad and the Ugly" by Hugo Montenegro & His Orchestra "Who's David?" by Busted "Doctorin' the Tardis" by The Timelords

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With a Little Help From My Friends - Joe Cocker.jpg With A Little Help From My Friends.jpg

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1967-06-01 October 1968 --05-09 --02-09

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--03-30 n22: 1968 1988

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Lennon and McCartney finished writing this song in mid-March 1967, written specifically as Starr's track for the album. It was briefly called "Bad Finger Boogie" (later the inspiration for the band name Badfinger), supposedly because Lennon composed the melody on a piano using his middle finger after having hurt his forefinger; but in his 1980 Playboy interview Lennon said: "This is Paul, with a little help from me. 'What do you see when you turn out the light/ I can't tell you, but I know it's mine...' is mine." Lennon also attributed most of the song to McCartney in his 1972 Hit Parader interview: "Paul. It was Paul's idea. I think I helped with some of the words. In fact, I did. Hunter Davies was there when we did it and mentioned it in the book. 'What do you see when you turn out the light, I can't tell you but I know it's mine.' That was mine." McCartney, though, claims at least partial credit for the line, stating: "I remember giggling with John when we wrote the lines 'What do you see when you turn out the light? I can't tell you, but I know it's mine.' It could have been him playing with his willy under the covers, or it could have been taken on a deeper level." Lennon and McCartney deliberately wrote a tune with a limited range – except for the last note, which McCartney worked closely with Starr to achieve. Speaking in the Anthology, Starr insisted on changing the first line which originally was "What would you think if I sang out of tune? Would you throw ripe tomatoes at me?" He changed the lyric so that fans would not throw tomatoes at him should he perform it live. (In the early days, after George Harrison made a passing comment that he liked jelly babies, the group was showered with them at all of their live performances.) The song's composition is unusually well documented as Hunter Davies was present and described the writing process in the Beatles' official biography. The song is partly in the form of a conversation, in which the other three Beatles sing a question and Starr answers, for example: "Would you believe in a love at first sight? / Yes, I'm certain that it happens all the time." The band started recording the song the day before they posed for the Sgt. Pepper album cover (29 March 1967), wrapping up the session at 5:45 in the morning. At dawn, Starr trudged up the stairs to head home – but the other Beatles cajoled him into doing his lead vocal then and there, standing around the microphone for moral support.