This HTML5 document contains 6 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

PrefixNamespace IRI
n8http://dbkwik.webdatacommons.org/ontology/
dctermshttp://purl.org/dc/terms/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n7http://dbkwik.webdatacommons.org/resource/hyC0h7LbcLIBrYiDx5BTow==
n10http://dbkwik.webdatacommons.org/resource/ZYQqwewYBvXylJaMKNv2VQ==
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n9http://dbkwik.webdatacommons.org/warrenzevon/property/
owlhttp://www.w3.org/2002/07/owl#
n2http://dbkwik.webdatacommons.org/resource/wfOvm71iXMWDiz_dT-8c_A==
xsdhhttp://www.w3.org/2001/XMLSchema#
dbrhttp://dbpedia.org/resource/
Subject Item
n2:
rdfs:label
The Envoy
rdfs:comment
The Envoy is an album by American singer/songwriter Warren Zevon, released in 1982 by Asylum. It is considered to be the least well-known of his major-label studio recordings because it was not released on compact disc until 2006. A commercial failure at the time of its original release, The Envoy caused Zevon's label to terminate his recording contract, a fact the self-destructive Zevon famously discovered only after reading about it in the gossip column of the Rolling Stone. The result was a binge that nearly killed him, followed by a rehab stint that kept Zevon clean and sober until the last year of his life.
owl:sameAs
dbr:The_Envoy
dcterms:subject
n7:
n9:wikiPageUsesTemplate
n10:
n8:abstract
The Envoy is an album by American singer/songwriter Warren Zevon, released in 1982 by Asylum. It is considered to be the least well-known of his major-label studio recordings because it was not released on compact disc until 2006. A commercial failure at the time of its original release, The Envoy caused Zevon's label to terminate his recording contract, a fact the self-destructive Zevon famously discovered only after reading about it in the gossip column of the Rolling Stone. The result was a binge that nearly killed him, followed by a rehab stint that kept Zevon clean and sober until the last year of his life. The title track was inspired by veteran American diplomat Philip Habib's shuttle diplomacy during Israel's Lebanon incursion of 1982. This was also his son Jordan's first appearance on his albums, providing harmony vocals on track three.