"DC announced its plan to form the Piranha imprint in 1987. Nevelow's associate editor on the imprint was Karen McBurnie. Designer Dean Motter created the signature Piranha cover format and logo. After the initial 1989 titles were art directed by John Workman, the in-house Piranha production design was by Bhob Stewart from 1989 to 1992, with other design contributions by Dale Crain, Rick Spanier, Richard Bruning, Veronica Carlin, Margaret Clark and Rick Keene."@en . . . . "New York City"@en . . . "Mark Nevelow"@en . . . . . . . . . . "Defunct, 1994"@en . "DC announced its plan to form the Piranha imprint in 1987. Nevelow's associate editor on the imprint was Karen McBurnie. Designer Dean Motter created the signature Piranha cover format and logo. After the initial 1989 titles were art directed by John Workman, the in-house Piranha production design was by Bhob Stewart from 1989 to 1992, with other design contributions by Dale Crain, Rick Spanier, Richard Bruning, Veronica Carlin, Margaret Clark and Rick Keene. Artist-writer Alec Stevens was the first creator to sign a contract with Piranha Press in September, 1988, and his graphic novels The Sinners and Hardcore followed in June 1989 and January 1990, respectively. A third book, A Winter Within, was verbally agreed upon, but a contract never materialized. Piranha's most successful title was Kyle Baker's Why I Hate Saturn which had multiple printings. Beautiful Stories for Ugly Children, a 32-page monthly anthology of Dave Louapre's stories, illustrated by Dan Sweetman, had a 30-issue run from June 1989 to September 1992. Humor series of note were John Blair Moore's Invaders from Home!!!, Marc Hempel's 120-page Gregory, and Epicurus the Sage by William Messner-Loebs and Sam Kieth. Other Piranha writers and artists included Gil Ashby, Mark Badger, Glenn Barr, Charlie Boatner, Damon Cardwell, Tim Conrad, Michael Davis, Gerard Jones, Jon Hammer, Alison Marek, Douglas Michael, Steve Parkhouse, and Jennifer Waters. In early 1991, Nevelow left the company. With his departure, the imprint began to drastically change its editorial direction in an effort to attain the commercial success that largely eluded them. Piranha's last published comic was the one-shot Prince and the New Power Generation: Three Chains of Gold, which came out in 1994. The imprint was shut down shortly thereafter, replaced by the new imprint Paradox Press. Howard Cruse's Stuck Rubber Baby (1995) was a project that began with Piranha Press. The book took so long for Cruse to draw, however, that it was later published under the Paradox Press imprint by editors Andy Helfer and Bronwyn Taggart, with design by Robbin Brosterman."@en . . . . . . "Karen McBurnie"@en . . "Piranha Press"@en . "Dale Crain"@en . . "Mark Nevelow"@en . "United States"@en . "Alternative"@en . . . . . "1989"^^ . "Piranha Press"@en .