. . . . . . . . . . . . . . . . . . . . "Apocalyptic fiction is a sub-genre of science fiction that is concerned with the end of human civilization. This apocalypse is typically portrayed as being due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgement, runaway climate change, resource depletion, ecological collapse, or some other general disasters. Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized)"@en . "Apocalyptic and post-apocalyptic fiction"@en . . "Apocalyptic and post-apocalyptic fiction is a genre which involves global catastrophic risk. The literature is mainly science fiction, science fantasy or horror fiction with the apocalypse event typically being climatic, such as runaway climate change; natural, such as an impact event; man-made, such as nuclear warfare; medical, such as a plague or virus, whether natural or man-made; or imaginative, such as zombie apocalypse or alien invasion. The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or it may be post-apocalyptic, set after the event. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, the way to maintain the human race alive and together as one, or con"@en . "Apocalyptic and post-apocalyptic fiction is a genre which involves global catastrophic risk. The literature is mainly science fiction, science fantasy or horror fiction with the apocalypse event typically being climatic, such as runaway climate change; natural, such as an impact event; man-made, such as nuclear warfare; medical, such as a plague or virus, whether natural or man-made; or imaginative, such as zombie apocalypse or alien invasion. The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or it may be post-apocalyptic, set after the event. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, the way to maintain the human race alive and together as one, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in a non-technological future world, or a world where only scattered elements of society and technology remain. Various ancient societies, including the Babylonian and Judaic, produced apocalyptic literature and mythology which dealt with the end of the world and of human society, such as the Epic of Gilgamesh, written ca. 2000\u20131500 BC. And recognizable modern apocalyptic novels had existed since at least the first quarter of the 19th century, when Mary Shelley's The Last Man (1826) was published. However, this form of literature gained widespread popularity after World War II, when the possibility of global annihilation by nuclear weapons entered the public consciousness. As shown above, the apocalypse is also depicted in visual art, for example in Albert Goodwin's painting Apocalypse (1903)."@en . . . . . "Apocalyptic fiction is a sub-genre of science fiction that is concerned with the end of human civilization. This apocalypse is typically portrayed as being due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgement, runaway climate change, resource depletion, ecological collapse, or some other general disasters. Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in a non-technological future world, or a world where only scattered elements of technology remain. Apocalyptic/post-apocalyptic texts re-imagine historical consciousness through the narration of catastrophe. In other words, representation\u2014modes of representing history and man\u2019s relation to it\u2014are as important to apocalyptic texts as is the catastrophe that is narrated. The genre gained popularity after World War II, when the possibility of global annihilation by nuclear weapons entered the public consciousness. However, recognizable apocalyptic novels had existed since the first quarter of the 19th century, when Mary Shelley's The Last Man was published."@en . . . . . . . . . . .