"8"^^ . . "comic book, gaslamp fantasy, adventure, romance & mad science"@en . "Agatha Heterodyne and the Chapel of Bones"@en . "Agatha Heterodyne and the Chapel of Bones, the eighth volume of Girl Genius, begins with an opera \u2014 The Storm King \u2014 which gives us background on the conspiracy unfolding and some parallels to current relationships. Meanwhile, back in Mechanicsburg, Agatha takes on a tough prison demeanor and finds an old \"friend\", while Gil is adopted by the J\u00E4gers and the J\u00E4gerfr\u00E4ulein at Mamma Gkika's. Alliances are formed inside and outside of Castle Heterodyne in surprising ways while Baron Klaus Wulfenbach fights both his injuries and his doctor to contain what he sees as an immediate threat from The Other. It's a race between the castle-savers and the castle-killers as Agatha races through dangerous corridors in her damaged family home. Agatha proves herself a method actress and quick on her feet as she takes on her mantle of leadership. Gil's mystery grows more complex as he finds himself conflicted between the duty of a son and the yearnings of his heart. And a wild card is thrown, almost literally, into the Castle. The colors were done by Cheyenne Wright. The first page of Volume VIII begins here: [ February 4, 2008] [[Chronology - Volume #|\u2723 ]]. This volume can be ordered on TopatoCo or through local comic book shops."@en . "Agatha Heterodyne and the Chapel of Bones"@en . . . . . . . . . . . "Agatha Heterodyne and the Chapel of Bones, the eighth volume of Girl Genius, begins with an opera \u2014 The Storm King \u2014 which gives us background on the conspiracy unfolding and some parallels to current relationships. Meanwhile, back in Mechanicsburg, Agatha takes on a tough prison demeanor and finds an old \"friend\", while Gil is adopted by the J\u00E4gers and the J\u00E4gerfr\u00E4ulein at Mamma Gkika's. Alliances are formed inside and outside of Castle Heterodyne in surprising ways while Baron Klaus Wulfenbach fights both his injuries and his doctor to contain what he sees as an immediate threat from The Other. It's a race between the castle-savers and the castle-killers as Agatha races through dangerous corridors in her damaged family home."@en . . . .