. "1954-11-20"^^ . "Distributed by"@en . "William Hanna"@en . . . . . . . "Preceded by"@en . . "Metro-Goldwyn-Mayer"@en . . . "Joseph Barbera"@en . . . . . "Pet Peeve"@en . . . "Followed by"@en . . . . . "Produced by"@en . . "This was the first Tom and Jerry cartoon to be released in CinemaScope and the second to be produced in the format (the first was Touch\u00E9, Pussy Cat, both released a month later), which widened the cinema screen to a more expansive aspect ratio to compete against the growing popularity of television. The CinemaScope process required thicker and more defined ink lines around the characters, giving them a slightly more \"modern\" and less detailed appearance."@en . . "Technicolor/CinemaScope"@en . . . . . . "This was the first Tom and Jerry cartoon to be released in CinemaScope and the second to be produced in the format (the first was Touch\u00E9, Pussy Cat, both released a month later), which widened the cinema screen to a more expansive aspect ratio to compete against the growing popularity of television. The CinemaScope process required thicker and more defined ink lines around the characters, giving them a slightly more \"modern\" and less detailed appearance. The cartoon is also the first to feature an owner of the house that is not Mammy Two Shoes, the African-American maid voiced by Lillian Randolph from the first cartoon Puss Gets the Boot (1940) up to and including 1952's Push-Button Kitty. Instead, Mammy was replaced with a white married couple."@en . "Release date"@en . "Animation by"@en . "Pet Peeve"@en . . . . . "Story by"@en . . . "Music by"@en . "Directed by"@en . . . . "Color process"@en . . . "280"^^ . .