. . . . . . . . . . . . . . . "George Szell"@en . . . "Szell came to Cleveland in 1946 to take over a respected, but undersized, orchestra which was struggling to recover from the disruptions of World War II. By the time of his death he was credited, to quote the critic Donal Henahan, with having built it into \"what many critics regarded as the world's keenest symphonic instrument.\" Through his recordings, Szell has remained a presence in the classical music world long after his death, and in some circles his name remains synonymous with that of the Cleveland Orchestra. While on tour with the Orchestra in the late 1980s, then Music Director Christoph von Dohn\u00E1nyi remarked, \"We give a great concert, and George Szell gets a great review.\""@en . "Szell came to Cleveland in 1946 to take over a respected, but undersized, orchestra which was struggling to recover from the disruptions of World War II. By the time of his death he was credited, to quote the critic Donal Henahan, with having built it into \"what many critics regarded as the world's keenest symphonic instrument.\" Through his recordings, Szell has remained a presence in the classical music world long after his death, and in some circles his name remains synonymous with that of the Cleveland Orchestra. While on tour with the Orchestra in the late 1980s, then Music Director Christoph von Dohn\u00E1nyi remarked, \"We give a great concert, and George Szell gets a great review.\""@en . . . . . . . . .