. . . . . "Bonustrack emon hachioji.jpg"@en . . . "#\"Electric Love\" with subtitles\n#\"Sweet Devil\" \n#\"Sakura Saku\" \n#\"Keep Only One Love\" \n#\"Mad Lovers\" \n#\"Distorted Princess\" \n#\"whiteout\" \n#\"KiLLER LADY\" with subtitles\n#\"Electric Star\" \n#\"Colorful Filter\" \n#\"Baby Maniacs\" \n#\"Leia\" \n#\"take it easy\" with subtitles\n#\"Fake Doll\" with subtitles\n#\"Electric Magic\" \n#\"TRAP \u00D7 TRAP\" \n#\"HORIZON\" with subtitles\n#\"Dream Creator\" with subtitles\n#\"GAME OVER\" with subtitles\n#\"Draw Your Night\" with subtitles\n#\"Heart Chrome\" \n#\"Twinkle World\" \n#\"Carry Me Off\" with subtitles\n#\"Little Scarlet Bad Girl\" \n#\"Shooting Star\" \n#\"Desktop Cinderella\" \n#\"Blue Star\" \n#\"Beautiful Nightmare\" \n#\"Kimagure Mercy\""@en . . "Twinkle World regular.jpg"@en . . . "2010-08-14"^^ . . . "2015-09-02"^^ . . . . . . . "Present"@en . . "Hachiouji-P \u00D7 kz"@en . . . . "2014-08-27"^^ . "electroll.jpg"@en . "2011-06-12"^^ . . . . . . "2013-06-19"^^ . . . ""@en . "2012-12-31"^^ . "2013-07-17"^^ . . "2012-08-29"^^ . . . . "Hachiouji-P \u00D7 emon(Tes.)"@en . . . . . . . "2012-02-01"^^ . "Hachioji-P , also known as 8#Prince, is a popular electropop producer who mainly uses Hatsune Miku. Best known for his song \"Sweet Devil\", he is also a DJ and produced demo songs for anon & kanon and the private VOCALOID Akikoloid-chan.\n\nOutside of the Vocaloid community, he produced Mayu Watanabe's song \"Hikaru Monotachi\" in 2012, which subsequently topped the Oricon Music charts. He's also a Happy and UK Hardcore producer under his P*Light alias, being a member of HARDCORE TANO*C and Konami's in-house label \"beatnation records\".\n\nAn interview with him is featured in VOCALOID Enjoy, vol.11."@en . "Whiteout.jpg"@en . "2011"^^ . . "Hachioji-P"@en . . "Electric Love.png"@en . . "2010-11-14"^^ . "Hachioji-P"@en . "Eight -best of hachiojip2-.jpg"@en . . . . . . "Channel: niconico, vimeo, YouTube"@en . "December 2009"@en . "2016-06-15"^^ . . "Website: HachiojiP"@en . . . . . . . . . . . . .